Artist's albums
Martyr Shrapnel
2023 · album
vorTEX Tongue (Dead Voices On Air Mix)
2023 · single
Satyjit Illusions (Dead Voices On Air Mix)
2023 · single
Turn On Arabic American Radio
2023 · album
Shekel Of Israeli Occupation
2022 · album
Babylon Is Iraq
2019 · album
Lalique Gadaffi Handgrenade
2019 · album
Jerusalaam
2017 · album
Ali Zarin
2016 · album
Abyssinia Selasie
2016 · album
Libya Tour Guide
2016 · album
Mohammad Ali Jinnah
2016 · album
Baghdad
2015 · album
Melt
2015 · EP
Minaret Speaker
2015 · album
Uzbekistani Bizzare and Souk
2015 · album
Zilver/Feel the Hiss
2015 · album
Deceiver Vol. 3 & 4
2014 · album
Drugsherpa
2014 · album
Turkish Berlina
2014 · album
Un-used Re-mix's 1994-1995
2014 · album
Your Mines in Kabul
2013 · album
Zealot
2013 · album
Zuriff Moussa
2013 · album
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Biography
Bryn Jones was not a practicing Muslim and never went to the Middle East. His recordings as Muslimgauze, however, qualified him as one of the Western artists most explicitly slanted in his favor of the Palestinian liberation movement. Since the Manchester-native's works were instrumental, most of the political statement was inherent in the packaging: Witness titles such as Fatah Guerrilla, Return of Black September, Hebron Massacre, Vote Hezbollah, United States of Islam and The Rape of Palestine. Jones could have been a potentially controversial figure if his releases were available in anything except severely limited editions -- usually less than one thousand copies of each. Despite their lack of prominence, Jones' blend of found-sound Middle Eastern atmospheres with heavily phased drones and colliding rhythm programs were among the most startling and unique in the noise underground. Formed in 1982 to protest the Israeli invasion of Lebanon, Muslimgauze's first release was the Hammer & Sickle EP, which appeared in 1983 as a response to the Soviet invasion of Afghanistan. During the 1980s, Jones averaged almost two Muslimgauze albums per year, plus additional EPs and limited releases (of 500 copies each). With 1990's Intifaxa he earned his first release on Extreme Records, an Australian label with releases by Robert Rich and Paul Schütze. Five albums followed for Extreme in the next four years, while a half-dozen were released on the Dutch Staalplaat, distributed in the States as well through Soleilmoon. As the decade progressed, Muslimgauze's output became even more concentrated -- five albums in 1994, six a year later, and an unbelievable eight LPs in 1996. The experimental/noise underground increased in visibility during the late '90s, with Muslimgauze productions gradually encompassing heavier beats and a style close in execution to post-industrial beat-heads Techno Animal, Download and Scorn. The Muslimgauze project ended tragically in 1999 when Jones died suddenly of a rare blood disease. A number of posthumous releases including Lo-Fi India Abuse (partially a collaboration with dub collective Systemwide) and the nine-disc Box of Silk and Dogs soon followed. ~ John Bush, Rovi