Artist's albums
Gnosis
2022 · album
Gnosis
2022 · single
Betrayal
2022 · single
Conduit
2022 · single
Blood Year
2019 · album
Kohokia
2019 · single
Russian Circles | Audiotree Far Out
2019 · single
Milano
2019 · single
Arluck
2019 · single
Live at Dunk! Fest
2017 · album
Guidance
2016 · album
Afrika
2016 · single
Mota
2016 · single
Vorel
2016 · single
Memorial
2013 · album
Empros
2011 · album
Geneva
2009 · album
Station
2008 · album
Enter
2006 · album
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Biography
With their latest album Blood Year, Russian Circles forsake the sonic crossroads of divergent musical paths found on albums like Guidance and Memorial to offer up the most direct and forceful collection of songs in their discography. With Sullivan, Turncrantz, and Cook all residing in different states, Russian Circles have typically crafted their albums by piecing together song fragments and home recordings into meticulous texture-rich studio productions. But after seven tours in North American and five trips to Europe in support of 2016’s Guidance, the band made a conscious effort to approach the songs on Blood Year with the same organic feel of a live show. While it retains the dexterity, multi-faceted techniques, and dramatic compositions that have been a trademark of Russian Circles since day one, Blood Year fully embraces the most powerful aspects of the band’s repertoire. The Chicago trio have always explored the dynamics of volume and timbre, with their albums often vacillating between caustic attacks and blissful respites. From Mike Sullivan’s riff-fueled assaults, to Dave Turncrantz’s war machine rack and floor toms and Brian Cook’s meat grinding bass lines, the sound of Blood Year is that of a band unafraid to flaunt their hard-earned prowess. Russian Circles returned to the studio with Kurt Ballou to record Blood Year, but this time they tracked it in Chicago at Steve Albini’s Electrical Audio where previous albums Enter, Geneva, and Memorial were recorded.