Artist's albums
Happy Blue
1998 · album
Tell The Truth
1993 · album
Creatures Of Habit
1991 · album
Hear And Now
1989 · album
Enough Is Enough
1986 · album
Love Is The Hero
1986 · single
Signs Of Life
1984 · album
Christmas Is the Time to Say "I Love You"
1983 · single
Emotions In Motion
1982 · album
Don't Say No (Remastered 2010)
1981 · album
The Tale Of The Tape
1980 · album
Harder On A Woman
2023 · single
The Stroke (Safari Riot Remix)
2023 · single
Past Perfect
2021 · compilation
The Stroke (Phillip Steir Remix)
2016 · single
The Essential Billy Squier
2011 · compilation
Absolute Hits
2005 · compilation
Similar artists
Night Ranger
Artist
Sammy Hagar
Artist
April Wine
Artist
Cheap Trick
Artist
Ted Nugent
Artist
Boston
Artist
Loverboy
Artist
Jefferson Starship
Artist
38 Special
Artist
Styx
Artist
Eddie Money
Artist
Triumph
Artist
Molly Hatchet
Artist
Head East
Artist
REO Speedwagon
Artist
Joe Walsh
Artist
Bachman-Turner Overdrive
Artist
The J. Geils Band
Artist
Foghat
Artist
The Babys
Artist
Biography
Many point to Billy Squier as early-'80s rock personified -- an era when he and many of his peers tempered hard rock with pop melodicism -- and by adding just the right amount of posing and posturing for the newly constructed MTV set, he scored a string of arena rock anthems and power ballads. But Squier did not enjoy overnight success as it took many years and several failed bands before he hit paydirt as a solo artist. Born on May 12, 1950, in Wellesley Hills, MA, Squier began playing piano and guitar at an early age, but didn't become serious with music until discovering Eric Clapton (via the renowned British guitarist's stints with John Mayall & the Bluesbreakers and Cream) in the late '60s and deciding to pursue music full-time. After playing in several local bands in the Boston area, Squier spent the early '70s relocating back and forth between Boston and New York City, during which time he contributed to a troupe that combined music with poetry (called Magic Terry & the Universe), attended the Berklee College of Music, and played in a pair of rock groups (N.Y.C.'s Kicks, which included future New York Dolls drummer Jerry Nolan, and Boston's the Sidewinders). But it wasn't until Squier's next band, Piper, that the singer/guitarist fronted a group that inked a recording contract, issuing a pair of underappreciated albums for A&M (1976's self-titled debut and 1977's Can't Wait), before splitting up. Undeterred, Squier soldiered on as a solo act, issuing his solo debut, Tale of the Tape, in 1980, which spawned a moderate rock radio hit with "You Should Be High Love," setting the stage perfectly for his big commercial breakthrough. Looking to the bombastic rock of early Led Zeppelin for inspiration, Squier's sophomore release, Don't Say No, became a monster hit on the strength of the Zep carbon copy "The Stroke," as well as such other rock radio staples as "In the Dark," "My Kinda Lover," and "Lonely Is the Night," all of which enjoyed heavy rotation on the newly founded MTV, helping Squier expand his audience even further. Squier's hit parade continued with 1982's Emotions in Motion, another big release that spawned an additional monster radio/MTV hit with "Everybody Wants You," as Squier supported the album with a tour of U.S. arenas (with an up-and-coming Def Leppard opening). But on his next release, the 1984 Jim Steinman-produced Signs of Life, Squier hit a snag in his career. Although the album was another sizeable U.S. hit, the video for the album's single, "Rock Me Tonite," alienated some of Squier's hardcore rock following, as the singer was filmed flamboyantly prancing around his apartment in time to the music (and in a moment of great delight, ripping off his shirt) -- resulting in the clip often being considered one of the most inadvertently hilarious videos of all time. Squier continued to issue albums throughout the '80s (including such titles as 1986's Enough Is Enough and 1989's Hear & Now), but it wasn't enough to prevent his audience from moving on to such younger, similarly styled acts as Bon Jovi and Mötley Crüe, as the hits eventually dried up. Squier continued to release albums in the '90s (1991's Creatures of Habit, 1993's Tell the Truth, and 1998's Happy Blue), but the hard rock audience, who became more interested in such unpretentious rockers as Nirvana, had deemed the majority of '80s rockers passé. . ~ Greg Prato, Rovi