Artist's albums
Yidden In America
2023 · single
Zeh Hakatan
2023 · single
ואני אבטח בך
2023 · single
B'Karov Mamash - בקרוב ממש
2023 · single
Tischadesh
2022 · single
Chasdei Hashem
2022 · single
Achas
2022 · single
D'Tzach
2022 · single
Back Stage
2022 · album
Tata Mama
2022 · single
Simcha
2021 · single
Chizuk Nigun
2020 · single
Madreigos
2020 · album
Bar Ilu
2020 · single
Haleilah Hazeh
2020 · single
Kol Hamelamed
2020 · single
Halev Sheli
2020 · single
The Dreidel Song
2019 · single
Tatty
2019 · single
Bitchu Bashem
2019 · single
On Stage
2019 · album
Mach a Bracha!
2018 · album
Reimagined
2018 · single
Mach a Bracha!
2018 · single
Rachamono & Mi Bon Siach
2017 · single
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Biography
Shmueli Ungar started his singing career performing for the Rabbi and the congregation in the synagogue of Kiryas Yoel, a small village in upstate New York where he was born and raised. Under the guidance of his grandfather, Shmueli developed his innate talent and devoted himself to pursuing his craft, performing locally at weddings, bar and bat mitzvahs and various simchas. In a short amount of time, his reputation grew and he became an in-demand singer, performing at high-end weddings and events across the country. His first album, Shmueli2, was met with favorable reviews and solidified Shmueli as a top Chassidishe singer. His audience has since expanded from his humble shul beginnings to sold-out concerts across the globe where he has performed with Mordechai Ben David and other top talents. His second album, Mach a Bracha, is a meditation on the brachot in everyday life. Dedicated to the memory of his grandfather, who believed in him from the start, the album is particularly meaningful for Shmueli. Shmueli’s music is evocative and warm, a style that is reminiscent of one of his influences, Reb Moshe Goldman of Camp Shalvah. Shmueli draws from his own life as well, creating a tapestry of music that is filled with emotion and meaning. He considers all experiences, even painful or challenging ones, catalysts music. He believes it is important, “not to ignore them, or forget them, but to make sure they’re part of the song too.”