Artist's albums
After the Fall
1997 · album
Love for Sale
1993 · album
Sentimental Killer
1992 · album
Uncertain Pleasures
1990 · album
Under the Influence
1987 · album
Tired & Emotional
1985 · album
Twelve Steps Forward and Ten Steps Back
2021 · single
Forward Bound
2021 · single
Family Life
2020 · single
High Heel Boots
2020 · single
Life Stories
2020 · album
Two Breaking into One
2020 · single
The House of Ill Repute
2019 · album
Live & Kicking
2018 · album
Let It Be Me
2017 · single
Scars on the Calendar
2015 · album
Live at the Basement
2013 · album
Live in Galway
2013 · album
Long Honeymoon
2013 · album
Mary Coughlan Sings Billie Holiday
2013 · album
The Whole Affair: The Very Best of Mary Coughlan (Celebrating 25 Years)
2012 · compilation
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Biography
Mary Coughlan is arguably the greatest female singer to have emerged from Ireland in recent times, the equivalent of Irish vocal royalty. The word ‘legend’ is not one to be used lightly, but in this case is entirely appropriate. Whether into folk, blues or jazz, no one can fail to be moved by the emotional depth, expression & power in her voice, forged from an extraordinary life. Born in Galway in 1956, Mary has battled and overcome childhood trauma, near-death from alcoholism and drug addiction. After hitting rock-bottom and extensive periods in psychiatric hospitals and rehab centres, she literally pulled herself out of the dregs of a vodka bottle to confront the foundations of her problems head-on and sort out her life, and has been sober since 1993. Since her first album ‘Tired and Emotional’ rocketed her to overnight fame in 1985, she has recorded 15 further solo albums, most recently the searing song cycle ‘Scars on the Calendar’ with Erik Visser. Throughout 30 years of her quite extraordinary life and recording career Mary has drawn heavily from her legendary heroes: the grievous, teary outpourings of Billie Holiday (to whom she devoted a double album of her songs), the husky flirtations of Peggy Lee, Van Morrison’s soulful wails, the defiant chanteusery of Edith Piaf. All are present and correct in her delivery. Even so, Mary, with her naked honesty makes every song her own; they belong to her and nobody else.