Artist's albums
Judy Boucher Greatest Hits, Vol. 2
2015 · album
Judy Boucher Greatest Hits Vol. 1
2015 · compilation
Almost Certainly
2015 · album
Tears on My Pillow
2014 · album
Can't Be With You Tonight
2014 · album
Take Me as I Am
2014 · album
A New Way to Say I Love You
2014 · album
Take Your Memory With You
2014 · album
This Is Judy Boucher
2013 · album
More Than Just a Friend
2013 · album
Lo Mejor de Judy Boucher
2013 · album
Ultimate Judy Boucher Anthems
2012 · album
The Definitive Judy Boucher
2012 · album
Dreaming of a Little Island
2011 · album
Judy Boucher: The Love Collection
2011 · album
Can't Be With You Tonight
2009 · album
You Caught My Eye
2009 · album
Dreaming Of A Little Island
2009 · album
Standing In The Rain
2009 · album
Just The Two Of Us
2009 · album
Sunshine & Dreams
2007 · album
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Biography
b. St. Vincent, West Indies. Boucher arrived in the UK in the mid-60s and began singing alongside her brother in the popular dance band Judy Jack And the Beanstalks. The band performed around the south east of England until Boucher retired from singing to raise a family. She was enticed back into the business and recording studio by her friend Felix Da Silva, who had been involved in producing sentimental love songs for notable vocalists including Tim Chandell and Joyce Bond. Da Silva arranged a recording session with Sonny Roberts who wrote and produced Boucher’s debut, ‘Dreaming Of A Little Island’, and the follow-up, ‘Lovely Paradise’. Although the releases did not make a big impression on the charts, Roberts was encouraged by the commercial success of Boucher’s recordings and produced her debut, Can’t Be With You Tonight, which briefly entered the UK Top 100 album chart in 1987. The title track was lifted for single release and attracted sufficient interest to achieve a placing on the much-coveted national radio playlist. The tale of the trials of cuckoldry, sung over a steadfast rhythm, crossed into the mainstream thanks to her crystal-clear vocals. The single peaked at number 2 in the UK Top 10 and charted across Europe. She followed this release with ‘You Caught My Eye’, which was an equally successful Top 20 hit but marked the end of her brush with international fame. Following her sojourn into the mainstream she maintained a low profile until 1995, when she recorded Doris Day’s ‘Whatever Will Be, Will Be (Que Sera, Sera)’, inspired by Nora Dean’s earlier interpretation of the song. The single, produced by Derrick Fervrier, who played bass on her initial recordings, secured a comfortable position on the reggae charts, and was followed by the equally popular ‘Stick Around’. She continues to maintain a high profile in the big people’s chart with her brand of ‘easy listening’ lover’s rock.