Artist's albums
Christmas Single
2001 · single
Live at Least
2001 · album
Gods & Sods
1999 · album
Green Eggs and Crack
1997 · album
...finally
1996 · album
Mystery Limousine
1994 · single
Mutiny
1992 · album
Cereal Killers
1991 · album
All These Censored Feelings (Deluxe Edition)
2023 · album
The Song I Didn't Write
2023 · single
All These Fucking Feelings
2022 · album
Fortune Telling's Easy
2022 · single
Normal Never Was
2022 · single
Mercy Mild
2022 · single
Oliver Plunkett's Head
2021 · single
Moar Misteaks
2021 · album
That's the Way That the World Goes Round
2021 · single
Mistakes Were Made
2021 · album
Uncle Watson Wants to Think
2021 · single
Blinding Light of Love
2021 · single
Pong
2020 · single
New Memories
2020 · single
Death Ray Machine
2020 · single
We Are/are Not the Clash
2009 · single
From All of Us to Both of You
2005 · album
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Biography
Facing feelings, cursing feelings, shouting feelings over propulsive drums and unreasonably loud guitars, sneaking feelings into singalongs so gum-in-hair sticky that it might take a couple choruses before the people singing along realize they’re singing something raw and resonant and true: this has been the Too Much Joy approach for decades. Here’s a band that got ‘90s crowds to shout “La-la-la-la-la-la lonely,” pandemic-era streamers to belt “Men like Uncle Watson / will destroy us in the end,” and now All These Fucking Feelings listeners to holler “Talking about what pricks we were / and how much better we wanted to be.” Who knows whether they were pricks or not. What matters is that the four suburban New York kids who played Clash covers at school dances in 1980 have kept at it ever since. Along the way they’ve grown into an international five piece, after dragooning British pop savant (and producer of brash fourth album, Mutiny) William Wittman into the band. Drummer Tommy Vinton’s headlong rhythms have always been as crucial to Too Much Joy as singer/lyricist/mensch Tim Quirk’s incisive words and Jay Blumenfield’s raucous guitar. All These Fucking Feelings finds Vinton and bassists Sandy Smallens and Wittman in peak form on the swaggering “Minister of Loneliness,” a post-punk powerhouse that boasts throat-shredding shouts, or “Our History in Hugs,” a 3-minute na-na-na relationship history digging into love and loss over an irresistible Archies stomp. –Alan Scherstuhl