Artist's albums
Memories by the Score
2001 · album
The Legendary Paragons
2001 · album
The Paragons - Sings The Beatles and Bob Dylan
1998 · album
The Heptones Meets The Paragons
2019 · album
The Paragons: Danger In Your Eyes Compilation
2017 · album
On the Beach with The Paragons
2015 · album
The Mighty Paragons Collection
2015 · album
The Paragons / The Paragons In Dub
2015 · album
The Maddening Crowd
2014 · single
Florence - Single
2012 · single
Talking Love / If I Were You
2012 · single
Black Label Reggae-Paragons-Vol. 11
2011 · album
We Were Meant To Be / Acappella
2011 · single
Blackbird Singing
2011 · single
The Tide Is High
2011 · single
Judgement Day
2011 · single
Full Metal Jacket
2011 · album
Wedding Bells (Digital 45) - Single
2010 · single
Yellowman Meets The Paragons
2010 · album
Enter into His Gates with Praise
1974 · single
Original Paragons At Treasure Isle
2009 · album
The Tide Is High
1967 · single
On The Beach With The Paragons
1967 · album
On the Beach: The Anthology
1967 · album
The Paragons Meet the Jesters
1959 · album
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Biography
If you're familiar with the song "The Tide Is High" you probably know it as a huge hit for Blondie, but before Deborah Harry and company got a hold of it, it was a 1960s hit for the Paragons. Formed in Kingston, Jamaica, the Paragons were originally made up of Garth "Tyrone" Evans, Bob Andy, Junior Menz, and Leroy Stamp. In 1964, just before they broke big in Jamaica, Stamp was replaced by John Holt, and Menz (who left to join another Jamaican vocal group, the Techniques) was replaced by Howard Barret. The early Paragons sound is heavily influence by American soul music, and the singing is in the familiar tight, interlocking harmony style of Jamaican vocal trios and quartets of the early '60s. In 1964, the group caught the attention of legendary producer Clement "Coxsone" Dodd, who immediately brought the group to Jamaica's famous Studio One and under the watchful eyes and ears of Duke Reid (who became the group's mentor), cut a succession of popular singles such as "Love at Last" and "Good Luck and Goodbye" for Reid's label Treasure Isle. Not long after this first flush of success, Bob Andy quit the group and the Paragons stopped recording, as John Holt (who by this point had emerged as the group's leader) decided that the group should soften their soulful sound and go for a more root-heavy, rocksteady approach. It turned out to be a good idea as the Paragons became the most popular rocksteady vocal act in Jamaica and in Britain. But money problems, specifically issues over why the group wasn't rich after more than a dozen number one Jamaican hits, led to the band's breakup. Of the bandmembers, only John Holt went on to have a significant solo career. Still, the Paragons recordings, including "The Tide Is High," are some of the most wonderful and sublime moments in Jamaican pop. ~ John Dougan, Rovi