Artist's albums
Top Twenty
2000 · album
The Spotnicks
1997 · compilation
Collection
1992 · compilation
#1
1992 · album
The Very Best Of The Spotnicks
1991 · compilation
Unlimited
1989 · album
Spotnick's Best
1989 · compilation
Original Album Classics
1989 · compilation
In Time
1986 · album
Saturday Night Music
1979 · album
Never Trust Robots
1978 · album
The Great Snowman
1978 · album
Anthology: The Deluxe Collection (Remastered)
2020 · album
Super Best
2018 · album
Around the world/In Acapulco
2015 · album
Tracks
2013 · album
Angel
2013 · EP
In Spain 1963
2013 · album
Early & Late
2013 · album
In London 1962
2013 · album
In Paris 1963
2013 · album
Best Collection
2013 · album
1997
2013 · album
Greatest Hits
2013 · compilation
60s Guitar Instrumental Classics
2011 · compilation
Similar artists
The Shadows
Artist
Duane Eddy
Artist
The Ventures
Artist
Emile Ford & The Checkmates
Artist
The Tremeloes
Artist
Hank Marvin
Artist
Russ Conway
Artist
The Atlantics
Artist
The Tornados
Artist
Cliff Richard & The Shadows
Artist
The Searchers
Artist
Trini Lopez
Artist
Sandy Nelson
Artist
The Swinging Blue Jeans
Artist
Johnny & The Hurricanes
Artist
Ola & The Janglers
Artist
The Fireballs
Artist
B. Bumble & The Stingers
Artist
The String-A-Longs
Artist
Biography
If remembered at all today, it is probably thanks to their silly astronaut costumes, but in the '60s the Spotnicks were one of the most successful instrumental rock groups, alongside the Shadows and the Ventures. Their very specific sound had more in common with the Shadows, being clean and intentionally gentle. It originated from their first primitive demo recordings, but the record company liked it and, being plastic and twangy, it was promoted as a space sound. That sound was already outdated in the late '60s, but that didn't stop the group from having big successes throughout the decade. In the '70s the sound was definitely antiquated, but like the Ventures, the Spotnicks found reliable audiences in Japan and Germany, as well as cult and nostalgia followings around the world. The Spotnicks have sold over 20 million albums, making them among the most successful Swedish groups ever, surpassed perhaps only by ABBA and Roxette. By the late '90s, they had released 39 studio albums, recorded roughly 700 songs, and had more than 100 members in the different iterations of the band. The Spotnicks were formed in Göteborg, Sweden, in 1957, by guitarist and undisputed bandleader Bo Winberg. The other members were guitarist and singer Bob Lander, drummer Ove Johansson, and bassist Björn Thelin, several of whom had already played together in local rock & roll bands like the Blue Caps, Rock Teddy, and the Rebels. The first year they performed under the name the Frazers, but soon changed it to the Spotnicks. In 1961 they were signed by Karusell and released their first singles containing mostly instrumental covers of famous songs. The selection of songs was as varied as the performances were homogenous, including titles like "Hava Nagila" and "Johnny Guitar." Later the same year, the Spotnicks toured Germany, France, and Spain, and in 1962 they released their debut album, The Spotnicks in London, recorded on their first trip to England. Featured on this tour were the space suits that the band would wear on-stage until 1969. "Hava Nagila" became a hit in England in 1963; the same year Johansson left to be replaced by Derek Skinner. The rest of the '60s led to increasing success in Europe, the U.S., and Japan, and the band even managed to compete with itself on the Japanese charts when the Spotnicks' song "Karelia" took the first position from the Feenades' "Ajomies." The song was the same, just recorded under different titles. The Feenades were a Finland-based side project of the Spotnicks, built upon Winberg and Peter Winsnes, who had joined the Spotnicks in 1965. Winberg also released less-successful recordings under the name the Shy Ones. Compared to the following decades, the '60s were a relatively stable period for the Spotnicks in terms of the group's lineup. Some new members were recruited, though, like drummer Jimmy Nicol, bassist Magnus Hellsberg, and drummer Tommy Tausis, who had earlier played with Tages In 1969 the Spotnicks disbanded, but Winberg continued to record using the name until the group reunited in 1972 upon the request of a Japanese record company. The same year, "If You Could Read My Mind," from the album Something Like Country, became a big hit in Germany. The Spotnicks retained their popularity there for a long time, even as it faded elsewhere. Their Japanese audience proved more faithful, though and accordingly the Spotnicks devoted most of their touring in the '70s to these two countries. After the release of 1972's Something Like Country (the Spotnicks' best album according to many fans), they had practically stopped being a band, consisting mainly of Winberg and various session musicians. While the Spotnicks had started out playing a light version rock & roll, they turned more toward easy listening, and even exotica, in the '70s, not by changing their own sound but by stubbornly keeping it while trends changed. By the '80s, they had essentially become a curiosity at home, but kept up their popularity in Germany and Japan. During the '90s, Winberg still toured using the name the Spotnicks, but to little attention. And even in their hometown of Göteborg, the Spotnicks were mainly forgotten, except for an occasional article in the local paper reminding readers of some guys with silly helmets who were once international stars. Bo Winberg died on January 3, 2020, at the age of 80. ~ Lars Lovén, Rovi