Artist's albums
For My People
2023 · EP
Break Ups 2 Make Ups
2023 · EP
For My People
2023 · single
Get Together
2023 · single
Sister
2023 · single
Jazz Piece 2 (The Remix)
2023 · single
Shine
2023 · single
Reach
2023 · EP
I House You But Love
2023 · EP
Soulside Rollers
2023 · EP
Keep The Funk Alive
2023 · EP
Be Mine
2023 · EP
Audio Coke
2023 · EP
A Deal To Heal
2022 · single
Lock Down Your Aerial
2022 · single
Sway With Me
2022 · single
State Of Bliss
2022 · single
Whiplash
2022 · EP
Welcome To The Prison Of My Heart
2022 · EP
The Game
2022 · EP
We Must Protect This House
2022 · EP
Don´t Forget To Boogie
2022 · EP
Alright
2021 · single
Jay69
2021 · single
Back In The Days
2021 · single
雨ニモマケズ (Not Losing It To The Rain)
2021 · single
Show Me The Way
2021 · EP
Isolated Love
2021 · single
Let Freedom Ring
2021 · single
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Biography
German electronic producer Michael Bihler (aka HDSN) utilizes many genres to explore his creativity, although everything he produces has a distinct soulful quality. His early career is defined by deep house and disco cuts, yet his debut album, 2018's To Create Is to Destroy, is far more reliant on downtempo and trip-hop. Bihler grew up in Halbech, situated in the Bavarian region of Germany; despite the rural surroundings, he found himself drawn to music coming out of Detroit, specifically taking to Moodymann, Omar-S, Theo Parrish, and Andres. With early experiments into music production underway he moved to Munich, only to move to Manchester, U.K. shortly afterwards. It was in the Northern part of England that Bihler released his debut singles "Naked Naked," "Cashmere Cat," and "Can You Dig It." He struggled to get them picked up by any existing labels, so he created his own in NBAST (Nothin' But a Soul Thing). The following year saw the release of his debut EP, 2016's Money, Sex & Cadillacs, released shortly before Bihler returned to Germany, dividing his time between Berlin and Munich. For his debut album, 2018's To Create Is to Destroy, Bihler chose to explore genres that were not strictly dancefloor-friendly, resulting in a record with a bigger focus on downtempo and trip-hop references. ~ Liam Martin, Rovi