Artist's albums
Live In 3 2/3/4 Time
2000 · album
Don Ellis Live At Monterey
1998 · album
Connection
1972 · album
Out Of Nowhere
1988 · album
Tears of Joy
1971 · album
At Fillmore
1970 · album
The LA Avant-garde
2022 · album
The Lost Tapes, Vol. 3
2021 · album
Haiku
2014 · album
Don Ellis Polish Radio Jazz Archives, Vol. 2
2013 · album
Essence
2013 · album
Live At Monteux
2005 · album
Soaring
1973 · album
Electric Bath
1967 · album
Autumn
1968 · album
Shock Treatment
1968 · album
How Time Passes (Remastered)
1961 · album
How Time Passes
1961 · album
The New Don Ellis Band Goes Underground
1969 · album
Similar artists
Sam Rivers
Artist
Freddie Hubbard
Artist
The Gil Evans Orchestra
Artist
Woody Shaw
Artist
George Russell
Artist
Jackie McLean
Artist
Buddy Rich
Artist
Oliver Nelson
Artist
Bobby Hutcherson
Artist
Booker Ervin
Artist
Ornette Coleman
Artist
Elvin Jones
Artist
Mingus Big Band
Artist
Thad Jones
Artist
Max Roach
Artist
Eric Dolphy
Artist
Archie Shepp
Artist
Rahsaan Roland Kirk
Artist
Gil Evans
Artist
Biography
A talented trumpeter with a vivid musical imagination and the willingness to try new things, Don Ellis led some of the most colorful big bands of the 1965-75 period. After graduating from Boston University, Ellis played in the big bands of Ray McKinley, Charlie Barnet, and Maynard Ferguson (he was featured with the latter on "Three More Foxes"), recorded with Charles Mingus, and played with George Russell's sextet (at the same time as Eric Dolphy). Ellis led four quartet and trio sessions during 1960-1962 for Candid, New Jazz, and Pacific Jazz, mixing together bop, free jazz, and his interest in modern classical music. However it was in 1965 when he put together his first orchestra that he really started to make an impression in jazz. Ellis's big bands were distinguished by their unusual instrumentation (which in its early days had up to three bassists and three drummers including Ellis himself), the leader's desire to investigate unusual time changes (including 7/8, 9/8, and even 15/16), its occasionally wacky humor (highlighted by an excess of false endings), and an openness towards using rock rhythms and (in later years) electronics. Ellis invented the four-valve trumpet and utilized a ring modulator and all types of wild electronic devices by the late '60s. By 1971, his band consisted of an eight-piece brass section (including French horn and tuba), a four-piece woodwind section, a string quartet, and a two-drum rhythm section. A later unrecorded edition even added a vocal quartet. Among Don Ellis's sidemen were Glenn Ferris, Tom Scott, John Klemmer, Sam Falzone, Frank Strozier, Dave MacKay, and the brilliant pianist (straight from Bulgaria) Milcho Leviev. The orchestra's most memorable recordings were Autumn, Live at the Fillmore, and Tears of Joy (all for Columbia). After suffering a mid-'70s heart attack, Ellis returned to live performing, playing the "superbone" and a later edition of his big band featured Art Pepper. Ellis's last recording was at the 1977 Montreux Jazz Festival, a year before his heart finally gave out. ~ Scott Yanow, Rovi