Artist's albums
Classic Themes
1998 · album
Feelings
1998 · album
Jazz Jamboree
1998 · album
Clarinet Moods
1997 · album
Clarinet Moods
1997 · album
22 Timeless Jazz Favourites
1997 · album
That's It Then!
1997 · album
Some of the Best
1996 · album
Stranger On the Shore: The Best of Acker Bilk
1996 · compilation
In a Mellow Mood
1993 · album
Deep Purple
2023 · album
Stranger On The Shore
2022 · album
Hits
2012 · compilation
Acker Bilk The Gold Collection
2011 · compilation
Azure
2006 · album
The Fabulous Mr. Acker Bilk
2005 · album
At The Movies
2003 · compilation
Luck for You, Luck for Me
2002 · album
Stranger on the Shore
1967 · album
Bilk And Bossa
1963 · single
Mister Acker Bilk Plays "My Early Days"
1963 · album
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Biography
Acker Bilk -- or Mr. Acker Bilk, as he was billed -- has won immortality on rock oldies radio for his surprise 1962 hit "Stranger on the Shore," an evocative ballad featuring his heavily quavering low-register clarinet over a bank of strings. To the jazz world, though, he has a longer-running track record as one of the biggest stars of Britain's trad jazz boom, playing in a distinctive early New Orleans manner. After learning his instrument in the British Army, Bilk joined Ken Colyer's trad band in 1954 before stepping out on his own in 1956. By 1960, a record of his, "Summer Set" -- a pun on the name of his home county -- landed on the British pop charts, and Bilk was on his way, clad in the Edwardian clothing and bowler hats that his publicist told his Paramount Jazz Band to wear. Several other British hits followed, but none bigger than "Stranger," which Bilk wrote for his daughter Jenny. The single stayed 55 weeks on the British charts and crossed the sea to America, where it hit number one in an era when radio was open to oddball records of all idioms (Bilk gratefully called "Stranger" "my old-age pension"). Released on English Columbia in Britain, several Bilk albums came out in America on the Atco label, and he continued to have hits until the British rock invasion of 1964 made trad seem quaint. With that, Bilk moved into cabaret and continued to have some success in Europe, leading jazz bands, recording with lush string ensembles, and even scoring another hit, "Aria" (number five in Britain), in 1976. Continuing to perform through the 2000s, Bilk slackened his pace so that he could pursue, like Miles Davis, a hobby of painting. ~ Richard S. Ginell, Rovi