Artist's albums
What Remains (Original Motion Picture Soundtrack)
2022 · single
Songs of Townes Van Zandt, Vol. III
2022 · album
Sad Cinderella
2022 · single
Quicksilver Daydreams of Maria
2022 · single
Cold Wind Blowin
2022 · single
The Wrath of the Clouds
2022 · EP
Seabird
2022 · single
The Path of the Clouds
2021 · album
Couldn't Have Done The Killing
2021 · single
If I Could Breathe Underwater
2021 · single
Bessie, Did You Make It?
2021 · single
Instead of Dreaming
2021 · album
It's Hard to Be Human
2020 · single
In the Air Tonight / More Than Words
2019 · single
Droneflower
2019 · album
Estranged
2019 · single
For the Sun
2019 · single
Poison / If We Make It Through the Summer
2019 · single
For My Crimes
2018 · album
I Can’t Listen to Gene Clark Anymore
2018 · single
Blue Vapor
2018 · single
For My Crimes
2018 · single
Where Do I Go
2018 · single
Bury Your Name
2016 · album
Strangers
2016 · album
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Biography
Over the course of nearly 20 tireless years of writing, recording, and touring, Marissa Nadler has amassed one of the most singular catalogs in contemporary music. Her work glides between delicate folk, windswept Americana, doom metal-adjacent darkness, meditative ambient music, and fearlessly experimental sounds, all anchored in her unmistakable singing voice and finger-style guitar. Shortly after finishing her Masters degree at the Rhode Island School of Design, Nadler released her first proper full-length album, the ethereal Ballads of Living and Dying, in 2004. Though she was initially associated with the indie-folk movement, Nadler soon distinguished herself with her willingness to go darker and more personal, writing songs that felt deeply intimate with solitude and heartbreak while still retaining an otherworldly sheen. After a decade of releasing records with various labels and on her own, Nadler joined forces with Sacred Bones Records and Bella Union for 2014’s seismic July. That record marked a reset in Nadler’s career, and the sounds she explored there served as a jumping off point for subsequent modern classics like For My Crimes and her collaboration with Stephen Brodsky, Droneflower. The Path of the Clouds is Nadler’s 9th solo album, and it feels like yet another significant evolution. Two decades into a storied career, there’s still an untapped reservoir of thrilling musical ideas and stirring emotions lurking in her endlessly creative mind.