Artist's albums
This New Noise (Live)
2023 · single
Broadcasting House (Live)
2023 · single
Bright Magic
2021 · album
Der Rhythmus der Maschinen
2021 · single
Lichtspiel III: Symphonie Diagonale
2021 · single
Blue Heaven
2021 · single
People, Let's Dance
2021 · single
White Star Liner
2018 · EP
White Star Liner
2018 · single
Hold Me Like a Heaven
2018 · single
People Will Always Need Coal
2018 · EP
People Will Always Need Coal (Edit)
2018 · single
Turn No More
2017 · single
Every Valley
2017 · album
You + Me
2017 · single
People Will Always Need Coal
2017 · single
They Gave Me a Lamp
2017 · single
Progress
2017 · single
Live at Brixton
2016 · album
Go! (Live)
2016 · single
Spitfire (Live)
2016 · single
Gagarin (Live)
2016 · single
The Race for Space (Remixes)
2016 · album
Valentina (Boxed In Remix)
2016 · single
E.V.A. (Vessels Remix)
2016 · single
The Other Side
2016 · single
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Biography
Public Service Broadcasting have been “teaching the lessons of the past through the music of the future” for more than a decade now. 2013’s debut album Inform - Educate - Entertain used archival samples from the British Film Institute as audio-portals to the Battle Of Britain, the summit of Everest and beyond. Two years later, The Race For Space used similar methods to laud the superpowers’ rivalry and heroism in orbit and on the Moon. In 2017, joined by voices including Manic Street Preachers’ James Dean Bradfield, Every Valley was a moving exploration of community and memory via the rise and fall of the British coal industry. Pointedly topical in its analyses, it reached number four on the UK charts. “Doing this felt inevitable, somehow,” muses J. Willgoose, Esq. “In my head, it was whirring and pulsing away for a long time, even before Every Valley - this fascinating, contrary, seductive place. I knew the album was going to be about the city, and its history and myths, and I was going to move there. So it’s quite a personal story. It’s become an album about moving to Berlin to write an album about people who move to Berlin to write an album…” Though PSB’s use of electronics and surging guitar rock remain familiar, Bright Magic uses samples, and the English language, sparingly. It differs from their previous albums in other ways: less linear and narrative, instead it’s an impressionistic portrait of a city from the ground up.