Artist's albums
Please Have A Seat (Deluxe Edition)
2023 · album
Sudafed
2023 · single
Please Have A Seat
2022 · album
Are You Happy
2021 · EP
Backseat
2021 · single
Orange Blossoms (NNAMDÏ Remix)
2021 · single
Glass Casket (Lynyn Remix)
2021 · single
Lonely Weekend
2021 · single
Blood River
2020 · single
Baby No More (NNAMDÏ’s Dream)
2020 · single
Black Plight EP
2020 · EP
BRAT
2020 · album
Gimme Gimme
2020 · single
Flowers To My Demons
2020 · single
Wasted
2020 · single
Price Went Up
2019 · single
Love to See
2018 · single
Dance While You Shoot (Nnamdi Ogbonnaya Remix)
2017 · single
NNAMDÏ | Audiotree Far Out
2017 · single
yOu liKe
2017 · single
DROOL
2017 · album
FECKIN WEIRDO
2014 · album
Despondent
2013 · EP
Bootie Noir
2013 · album
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Biography
NNAMDÏ has never been able to stay in one place. The Chicago multi-instrumentalist and songwriter set a blistering pace in 2020 with his critically acclaimed genre-fusing LP Brat, a punk EP Black Plight, and Krazy Karl, a full-length tribute to Looney Tunes composer Carl Stalling. Add in his role as co-owner of label Sooper Records, and it’s an overwhelming schedule. However, his latest album, Please Have A Seat, is the result of a much-needed pause. “I realized I never take time to just sit and take in where I’m at,” says NNAMDÏ. “I wanted to be present. Each song came from a moment of clarity.” Please Have A Seat serves as an invitation to listen. It’s a request to sit down, be present, and take in a moment. With this quiet introspection, NNAMDÏ found inspiration in silence and nuance. While making the record, he decided to stretch the limits of his songwriting: every track had to be hummable. Though he’s written earworms throughout his career from playing in bands in Chicago’s DIY community or releasing goofy raps as Nnamdi's Sooper Dooper Secret Side Project, here, his shapeshifting hooks are undeniable. Each of the album’s songs, which NNAMDÏ wrote, produced, and performed entirely himself, are relentlessly replayable. Please Have A Seat is yet another leap from Chicago’s hardest working musician. By taking a minute to sit down and catch his breath, he reemerged with the most ambitious, accessible, and nuanced work of his career.