Artist's albums
Heroes
1998 · album
The Brass Orchestra
1997 · album
The Great Kai And J.J.
1997 · album
Let's Hang Out
1993 · album
Jay & Kai (Japanese Import)
1992 · album
Trombone By Three
1992 · album
The Trombone Master
1989 · album
Man and Boy
1971 · album
Jackson, Johnson, Brown & Company
1983 · album
Sonny Stitt, Bud Powell, J.J. Johnson
1982 · compilation
Mad Be Bop
2023 · single
J&K: Stonebone
2022 · album
The Cape Verdean Blues
2004 · album
Origins: The Savoy Sessions
2002 · album
The Total J.J. Johnson
1967 · album
Israel
1968 · album
First Place (Expanded)
1957 · album
J.J.'s Broadway
1963 · album
Proof Positive
1964 · album
Goodies
1965 · album
J.J.! (Expanded)
1965 · album
Broadway Express
1966 · album
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Biography
Considered by many to be the finest jazz trombonist of all time, J.J. Johnson somehow transferred the innovations of Charlie Parker and Dizzy Gillespie to his more awkward instrument, playing with such speed and deceptive ease that at one time some listeners assumed he was playing valve (rather than slide) trombone. Johnson toured with the territory bands of Clarence Love and Snookum Russell during 1941-1942, and then spent 1942-1945 with Benny Carter's big band. He made his recording debut with Carter (taking a solo on "Love for Sale" in 1943), and played at the first JATP concert (1944). Johnson also had plenty of solo space during his stay with Count Basie's Orchestra (1945-1946). During 1946-1950, he played with all of the top bop musicians, including Charlie Parker (with whom he recorded in 1947), the Dizzy Gillespie big band, Illinois Jacquet (1947-1949), and the Miles Davis Birth of the Cool Nonet. His own recordings from the era included such sidemen as Bud Powell and a young Sonny Rollins. Johnson, who also recorded with the Metronome All-Stars, played with Oscar Pettiford (1951) and Miles Davis (1952), but then was outside of music, working as a blueprint inspector for two years (1952-1954). His fortunes changed when, in August 1954, he formed a two-trombone quintet with Kai Winding that became known as Jay and Kai and was quite popular during its two years. After Johnson and Winding went their separate ways (they would later have a few reunions), Johnson led a quintet that often included Bobby Jaspar. He began to compose ambitious works, starting with 1956's "Poem for Brass," and including "El Camino Real" and a feature for Dizzy Gillespie, "Perceptions"; his "Lament" became a standard. Johnson worked with Miles Davis during part of 1961-1962, led some more small groups of his own, and by the late '60s was kept busy writing television and film scores. J.J. Johnson was so famous in the jazz world that he kept on winning Downbeat polls in the 1970s, even though he was not playing at all. However, starting with a Japanese tour in 1977, Johnson gradually returned to a busy performance schedule, leading a quintet in the 1980s that often featured Ralph Moore. In the mid-'90s, he remained at the top of his field, but by the late '90s and early into the 2000s, the legendary musician fell ill with prostate cancer, and sadly took his own life on February 4, 2001. ~ Scott Yanow, Rovi