Artist's albums
Dreamland
1996 · album
That Old Feeling
2023 · single
That Old Feeling (Radio Edit)
2023 · single
It's a Mistake
2022 · single
Careless Love (Deluxe Edition)
2021 · album
Ha Ha Holiday
2020 · single
American
2020 · single
No Meanness
2019 · single
Anthem
2018 · album
Liberté
2018 · single
We Might As Well Dance
2018 · single
On My Own
2018 · single
Secular Hymns
2016 · album
Keep Me In Your Heart For A While: The Best Of Madeleine Peyroux
2014 · compilation
The Blue Room
2013 · album
Standing On The Rooftop
2011 · album
The Party Oughta Be Comin' Soon
2011 · single
The Things I've Seen Today
2011 · single
Amazon - Jazz Ladies Promotion
2009 · single
Bare Bones
2009 · album
Half The Perfect World
2006 · album
Careless Love
2004 · album
Got You on My Mind
2004 · album
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Biography
Madeleine Peyroux's extraordinary journey is one of music industry’s most compelling. Eight albums and 22 years since her debut Dreamland, Peyroux continues to challenge the confines of jazz, venturing into the fertile fields of contemporary music with unfading curiosity. Peyroux’s new album, Anthem, finds the singer-songwriter collaborating with writers/musicians Patrick Warren (Bonnie Raitt, Bob Dylan, Bruce Springsteen, Lana Del Rey), Brian MacLeod (Sara Bareilles, Leonard Cohen, Tina Turner, Ziggy Marley) and David Baerwald (Joni Mitchell, David and David, Sheryl Crow), who are also the basic rhythm section players on the album. Together, they cast a sober, poetic, and at times philosophical eye on the current state of the world. Anthem is Peyroux’s “biggest project to date”, with the artist investing many months of hands-on involvement in the studio, “exploring processed sounds and editing in post tracking. Special in that it was written with the group of musicians/writers who also played on it, “this album was about discovering the original songs as they were being recorded” and mastering the courage to “let the songs choose their own path.” The new album includes several songs bearing Peyroux’s distinctive, instantly recognizable style including On My Own and Sunday afternoon, but Anthem’s spirit was that of exploring new styles whilst resting safe in the knowledge that “if you are loyal to yourself, there should always be a thread running through your music.”