Wolves At The Gate lyrics
Artist · 239 045 listeners per month
Artist's albums
Pardon Me
2023 · EP
Stupid Deep
2023 · single
Attack
2023 · single
Heathens
2023 · single
Lowborn
2022 · EP
Dark Cold Night
2022 · single
Eulogies (Live Sessions)
2022 · EP
Eulogies
2022 · album
Deadweight
2022 · EP
Peace That Starts the War
2022 · single
Lights & Fire
2022 · single
Lowborn
2021 · single
Shadows
2021 · single
Stop the Bleeding
2021 · single
Dawn
2020 · EP
Counterfeit (Redux)
2020 · single
A Voice in the Violence (Redux)
2020 · single
Eclipse
2019 · album
Counterfeit
2019 · EP
Drifter
2019 · single
A Voice in the Violence
2019 · single
The Cure
2019 · single
Types & Shadows
2016 · album
Reprise
2015 · EP
VxV
2014 · album
Back to School
2013 · EP
The King
2012 · single
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Biography
Unrestricted by genre conventions and determined to raise the bar with each successive album, WOLVES AT THE GATE deliver music and a message with a firm commitment to passion and authenticity. Tirelessly seeking out the light in seemingly overwhelming darkness, the Midwestern post-hardcore group balances soaring melodies with unrelenting metal and emotional heaviness. The band’s fifth album, Eulogies, arrives with confidence and forward motion born from reflection, introspection, and isolation. The small-town Ohio-based five-piece band built the foundations for the album’s 13 songs during the pandemic shutdown, shaping diverse tracks like “Shadows,” “Peace That Starts The War,” and “No Tomorrow” into stunning confessional epics. Wolves At The Gate’s audience treasures each of the band’s best-known songs for the emotional depth, passionate catharsis, and evocative power contained in them, as evidenced by the millions of streams for WATG anthems. These include “Counterfeit,” “A Voice in the Violence,” and “Drifter” (from 2019’s Eclipse); “Asleep,” “Flickering Flame,” and “War in the Time of Peace” (from 2016’s Types & Shadows); “Relief,” and “The Bird and the Snake” (from 2014’ VxV); “Dead Man,” “The Harvest,” and “Slaves” (from 2012’s Captors), and “Heralds” (from 2011’s We Are The Ones). Wolves At The Gate blaze a path combining seemingly disparate elements into a singular, cohesive identity.