Biography

Dead Tired’s unrelenting musical onslaught is best defined by way of contrasts and contradictions, existing in the ether between opposing forces and foiling ideas. The record makes an impactful statement considering Dead Tired was born as a fun, informal project for guys with more formal ones on the go – from arena-touring rock bands to thriving recording studios, tattoo parlors, and other endeavors. Case in point, it’s their first release with a designated title, and offers a more cohesive and compelling take on the breakneck aural anarchy they’ve served up since uniting in 2014. Satan Will Follow You Home spans a more expansive sonic spectrum than anything we’ve heard from the quintet, comprised of Stefanik, fellow guitarist Marco Bressette, bassist Nick Ball, vocalist George Pettit, and new drummer Theo McKibbon. That’s not to say they’ve strayed from the chaotic and combustible energy of their earlier work; instead, they’ve distilled it, made it exponentially more potent, and used it as an anchor to go off and explore increasingly ambitious styles and sounds. Atop a solid foundation inspired by early Converge and Cave-In, Kyuss, and Dead Kennedys, we get everything from sickly saxophone licks to stacked vocal harmonies. A group of well-seasoned scene veterans dropping a career-defining record, reinvigorated with the vivacity of a new band? Yet another example of Dead Tired thriving in a place between opposites, adhering to no set agenda or rules outside of their own.