Artist's albums
Maria Mater Meretrix
2023 · album
4 Songs for Voice and Violin, Op. 35: I. Jesu Sweet
2023 · single
Anna Prohaska - Great Recordings
2022 · compilation
Celebration of Life in Death
2022 · album
Hallelujah
2022 · single
Weber
2021 · album
Bach: Redemption
2020 · album
Paradise Lost
2020 · album
Bach: Oboe Concertos & Cantatas
2018 · album
Serpent & Fire: Arias for Dido & Cleopatra
2016 · album
Mozart: Die Entführung aus dem Serail (Live)
2015 · album
Schubert
2014 · album
Behind The Lines
2014 · album
Enchanted Forest
2013 · album
Frohe Weihnachten!
2012 · compilation
Mahler: Das klagende Lied / Berg: Lulu-Suite
2011 · album
Sirène
2010 · album
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Biography
Anna Prohaska has drawn comparison with Anna Netrebko and other leading sopranos, owing to the beauty, warmth, and power of her voice. Indeed, critics noted the ravishing character of Prohaska's tone, from its secure and potent upper notes to its dark middle register and her seemingly effortless manner of delivery. She sings an extensive range of operatic roles and her concert and recital repertoire is equally broad. Prohaska was born into a musical family in Neu-Ulm, Germany, in 1983. Her great-grandfather, Carl Prohaska, was a respected composer, and her grandfather was conductor Felix Prohaska; her mother and her brother Daniel are singers, and her father an opera director. Raised in Vienna, Anna began piano and ballet lessons at age six. At 11, she and her family moved to Berlin, and she began vocal studies at 14 with conductor Eberhard Kloke. At the Hochschule für Musik Hanns Eisler, she continued vocal studies with Brenda Mitchell, Norma Sharp, and Wolfram Rieger. Prohaska was busy during her student years on the concert stage, making her first professional appearances at 16 at the North-Rhine Westphalia and Potsdam music festivals. In 2002, she debuted at the Komische Oper Berlin as Flora in Britten's The Turn of The Screw. Prohaska had further training at the Aix-en-Provence Festival's Académie Européenne de Musique in 2003 and later on at the International Handel Academy Karlsruhe. Prohaska appeared at the Staatsoper Unter den Linden (Berlin State Opera) in 2005 in the premiere of Seven Attempted Escapes from Silence, a contemporary opera fashioned by seven different composers and librettist Jonathan Safran Foer, author of the novel Extremely Loud and Incredibly Close. In 2006, Prohaska sang Frasquita in a Barenboim-led performance of Bizet's Carmen at the Berlin State Opera, and the following year, she became a member of the company. Since 2007, Prohaska has appeared regularly with the Berlin Philharmonic Orchestra. In 2008, Prohaska debuted as the First Wood Nymph at the Salzburg Festival under Franz Welser-Möst in Dvorák's Rusalka. Prohaska gave the 2009 Berlin premiere of Wolfgang Rihm's Mnemosyne, with the Berlin Philharmonic under Matthias Pintscher. Prohaska's 2010 live performance in the Berg Lulu Suite with the Simón Bolívar Symphony Orchestra under Abbado was issued on an acclaimed Accentus DVD. Prohaska's other roles have included Poppea in Handel's Agrippina, Blonde in Mozart's The Abduction from the Seraglio, and Anne Truelove in Stravinsky's The Rake's Progress. Her concert and recital repertoire offers works by Dowland, Purcell, Haydn, Mahler, Wolf, Luigi Nono, and many others. In 2011, Prohaska signed with Deutsche Grammophon and released Sirène, her first recital disc for the label featuring works by Mahler, Debussy, and Dowland, among others. She has also recorded for the Alpha, Accent, and Wergo labels. On Alpha, she has released two albums, both to critical success: Serpent & Fire in 2016 and Paradise Lost in 2020.