Artist's albums
Postwar Period Collection
2022 · compilation
My Tiger Rag - The Early Years
2021 · album
Harlem on My Mind! - The Blues of Ethel Waters
2020 · album
Golden Selection (Remastered)
2019 · album
Favorite Blues of All Time
2019 · album
100 Super Best
2018 · album
Am I Blue
2017 · album
Stormy Weather
2017 · album
Break City
2015 · album
Sweet Thing
2015 · album
Work from Nine
2015 · album
His Eye Is on the Sparrow
2014 · album
Moonglow (Original Recordings 1934)
2014 · album
Sweet Man Blues (Original Recordings 1921 - 22)
2014 · album
Georgia On My Mind
2012 · album
Just Got a Letter!
2011 · album
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Biography
Ethel Waters had a long and varied career, and was one of the first true jazz singers to record. Defying racism with her talent and bravery, Waters became a stage and movie star in the 1930s and '40s without leaving the U.S. She grew up near Philadelphia and, unlike many of her contemporaries, developed a clear and easily understandable diction. Originally classified as a blues singer (and she could sing the blues almost on the level of a Bessie Smith), Waters' jazz-oriented recordings of 1921-1928 swung before that term was even coined. A star early on at theaters and nightclubs, Waters introduced such songs as "Dinah," "Am I Blue" (in a 1929 movie), and "Stormy Weather." She made a smooth transition from jazz singer of the 1920s to a pop music star of the '30s, and she was a strong influence on many vocalists including Mildred Bailey, Lee Wiley, and Connee Boswell. Waters spent the latter half of the 1930s touring with a group headed by her husband-trumpeter Eddie Mallory, and appeared on Broadway (Mamba's Daughter in 1939) and in the 1943 film Cabin in the Sky; in the latter she introduced "Taking a Chance on Love," "Good for Nothing Joe," and the title cut. In later years Waters was seen in nonmusical dramatic roles, and after 1960 she mostly confined her performances to religious work for the evangelist Billy Graham. The European Classics label has reissued all of Ethel Waters' prime recordings and they still sound fresh and lively today. ~ Scott Yanow, Rovi