Moon Dance (feat. David Mingyue Liang)
Paul Horn, David Mingyue Liang
Artist · 41 812 listeners per month
Paul Horn, David Mingyue Liang
Paul Horn, David Mingyue Liang
Paul Horn, David Mingyue Liang
Paul Horn, David Mingyue Liang
Paul Horn, David Mingyue Liang
Paul Horn, David Mingyue Liang
Paul Horn, David Mingyue Liang
Paul Horn, David Mingyue Liang
Paul Horn, David Mingyue Liang
Paul Horn, Brian Bromberg, Victor Jones, Chuck Loeb, Sugar Blue, Andy Laverne, Mike Garson, Joe Farrell, Stan Getz, Patrick Arturo
2001 · album
2001 · album
2001 · album
2000 · album
1999 · album
1997 · album
1994 · album
1993 · album
1990 · album
1989 · album
1987 · album
1984 · album
1983 · album
1983 · album
1983 · album
1980 · album
1977 · album
1976 · album
1976 · album
2019 · album
2013 · album
2012 · album
2011 · single
2006 · album
2003 · album
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When one evaluates Paul Horn's career, it is as if he were two people, pre- and post-1967. In his early days, Horn was an excellent cool-toned altoist and flutist, while later he became a new age flutist whose music is often best used as background music for meditation. Horn started on piano when he was four and switched to alto at the age of 12. After a stint with the Sauter-Finegan Orchestra on tenor, Horn was Buddy Collette's replacement with the popular Chico Hamilton Quintet (1956-1958), playing alto, flute, and clarinet. He became a studio musician in Los Angeles, but also found time during 1957-1966 to record cool jazz albums for Dot (later reissued on Impulse), World Pacific, Hi Fi Jazz, Columbia, and RCA, and he participated in a memorable live session with Cal Tjader in 1959. In addition, in 1964, Horn recorded one of the first Jazz Masses, utilizing an orchestra arranged by Lalo Schifrin. In 1967, the second part of Paul Horn's career began; he studied transcendental meditation in India and became a teacher. The following year, he recorded unaccompanied flute solos at the Taj Mahal (where he enjoyed interacting with the echoes), and went on to record in the Great Pyramid, tour China (1979) and the Soviet Union, record using the sounds of killer whales as "accompaniment," and found his own label Golden Flute. ~ Scott Yanow, Rovi