Artist's albums
Africa
2001 · album
Jazz Café Presents Paul Horn
2001 · album
The Peace Album
2001 · album
Tibet
2000 · album
Brazilian Images
1999 · album
Inside Canyon de Chelly
1997 · album
Africa
1994 · album
Music
1993 · album
Inside the Taj Mahal I & II
1990 · album
Traveler
1989 · album
The Jazz Years - Selected Pieces 1961~1963
1987 · album
Connections
1984 · album
China
1983 · album
Inside the Cathedral
1983 · album
Inside the Magic of Findhorn
1983 · album
Live at Midem 1980 - Riviera Concert
1980 · album
Inside the Great Pyramid
1977 · album
Altitude of the Sun
1976 · album
Paul Horn: A Special Edition
1976 · album
Himalayan Sessions
2019 · album
Jupiter 8
2013 · album
Essential Jazz Masters
2012 · album
The Stillness Inside
2011 · single
Riviera Concert
2006 · album
Inside Monument Valley
2003 · album
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Biography
When one evaluates Paul Horn's career, it is as if he were two people, pre- and post-1967. In his early days, Horn was an excellent cool-toned altoist and flutist, while later he became a new age flutist whose music is often best used as background music for meditation. Horn started on piano when he was four and switched to alto at the age of 12. After a stint with the Sauter-Finegan Orchestra on tenor, Horn was Buddy Collette's replacement with the popular Chico Hamilton Quintet (1956-1958), playing alto, flute, and clarinet. He became a studio musician in Los Angeles, but also found time during 1957-1966 to record cool jazz albums for Dot (later reissued on Impulse), World Pacific, Hi Fi Jazz, Columbia, and RCA, and he participated in a memorable live session with Cal Tjader in 1959. In addition, in 1964, Horn recorded one of the first Jazz Masses, utilizing an orchestra arranged by Lalo Schifrin. In 1967, the second part of Paul Horn's career began; he studied transcendental meditation in India and became a teacher. The following year, he recorded unaccompanied flute solos at the Taj Mahal (where he enjoyed interacting with the echoes), and went on to record in the Great Pyramid, tour China (1979) and the Soviet Union, record using the sounds of killer whales as "accompaniment," and found his own label Golden Flute. ~ Scott Yanow, Rovi