Artist's albums
Massenet: Werther
1999 · album
Amour & Mascarade
1998 · compilation
La traversée
2022 · album
Passacaglia della vita
2022 · single
The Art of Patricia Petibon
2020 · compilation
L'amour, la mort, la mer
2020 · album
Trois chansons bretonnes - La rencontre
2020 · single
Au monde | Philippe Boesmans
2015 · album
La Belle Excentrique
2014 · album
Nouveau Monde - Baroque Arias And Songs
2012 · album
Melancolía - Spanish Arias and Songs
2011 · album
rosso - italian baroque arias
2010 · album
Fast Cats and Mysterious Cows
2009 · album
"Amoureuses" Mozart / Haydn / Gluck
2008 · album
La bonne cuisine
2003 · album
Patricia Petibon: French Touch
2003 · album
French Baroque Arias
2001 · album
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Biography
Patricia Petibon is a coloratura soprano active both in opera and on the recital stage. She has received much acclaim for her work in Baroque repertory, especially in operatic roles of Handel (Damon in Acis and Galatea), Rameau (Priestess/Shepherdess in Hippolyte et Aricie), Stefano Landi (Alessio in Il Sant'Alessio), and many more. Yet, she is equally adept in a range of later works, from Mozart (Blonde in The Abduction from the Seraglio) and Offenbach (Cupidon in Orpheus in the Underworld) to Massenet (Sophie in Werther) and Poulenc (Soeur Constance in The Dialogues of the Carmelites). Petibon's voice has a pureness of sound and both a sweetness and creaminess in the upper ranges, where she wields all manner of nuance and virtuosity to stunningly beautiful effect, as can be heard in her recording of the Queen of the Night's revenge aria ("Der Hölle Rache kocht in meinem Herzen") from Mozart's The Magic Flute. Petibon has recorded for a variety of major labels, including DG, Decca, EMI Classics, Erato, Teldec, Virgin Classics, Warner Classics, and ArtHaus Musik. Petibon was born in Mantargis, France, on February 27, 1970. She studied piano as a child and graduated with a degree in musicology from the Paris Conservatory. She continued her studies at the Conservatory in voice under Rachel Yakar. At her 1995 graduation she was awarded first prize in singing. Petibon soon began appearing in concert with American-born French conductor William Christie and his orchestra Les Arts Florissants. Her earliest recordings were made with Christie, as well: a pair of Charpentier discs issued by Erato in 1996. Also in that year Petibon debuted at the Paris Opera in Rameau's Hippolyte et Aricie. She would return there on numerous subsequent occasions in works by Mozart, Richard Strauss, Offenbach, and others. In 1998 the (Academie) Victoire de la Musique Classique named her Best Young Talent. In 2001 and 2003, the same source cited her as Best Opera Singer. In the new century Petibon has continued to enlarge her repertory: in 2006 she appeared at the Nancy Opera singing Susanna in Mozart's Le nozze di Figaro, and in 2008 at the Grand Theatre in Geneva as Ginevra in Handel's Ariodante. Petibon signed an exclusive contract with Deutsche Grammophon in 2008, and her first disc, Amoureuses, a collection of arias by Haydn, Mozart, and Gluck, was issued to great acclaim later that year.