Artist's albums
The Three Stooges
2023 · single
Against the War
2023 · single
Back out on the Road
2023 · single
The Fascinating Adventures of Little Bee
2022 · album
Little Bee goes to a gig
2022 · single
Swimming In It
2022 · single
Survival of the Friendliest
2021 · album
Knee Deep in Nostalgia
2020 · album
The Unforeseeable Future
2020 · album
The Inevitable Train Wreck
2019 · album
A Bird in the Hand
2018 · album
Cushty
2017 · album
A Spanner in the Works
2016 · album
Rolling up the Hill
2015 · album
This Christmas
2015 · single
The Grand Scheme of Things
2014 · album
Giving Everything
2013 · album
Fishing for a Thank You
2012 · album
Trying to Tell the Truth
2011 · album
Writing on the Wall
2010 · album
Standing on a Chair
2009 · album
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Biography
Essex born folk songwriter Beans on Toast is an extremely unique performer. Twisting an age-old genre with a D.I.Y. approach and contemporary concerns has earned him the title of a cult figure who tells it like it is. A festival favourite (he’s played Glastonbury every year since 2007) and a prolific writer and performer. He’s written and recorded 15 albums and he’s played every bar, club, venue, pub, festival, party and honky-tonk you can think of. He’s a hippy, a punk, a poet, a drunk, a die-hard romantic and an eternal optimist. Singing simple songs that tackle big issues. Political protest songs for the modern day, honest and open Love songs. Songs that will make you laugh, but also make you think with no holds barred honesty and quick wit. He’s constantly writing, recording and releasing music and puts out a new album each year on 1st December, which happens to be his birthday. Each album recorded with a different producer and musicians, over the years he’s worked with the likes of Ben Lovett (Mumford & Sons), Frank Turner and Kitty and Lewis Durham (Kitty, Daisy & Lewis). He tours constantly and has gigged and played festivals all over the world. The Beans on Toast live show is an odd and unpredictable experience. A singer, songwriter and storyteller his self-deprecating quality is not something you often see, but it breaks down the barrier between musician and audience, creating a sense of equality.