Artist's albums
Mostar Sevdah Reunion
1999 · album
Lady Sings the Balkan Blues
2022 · album
Kad Muzika Stane
2022 · single
Sreta "The Balkan Autumn"
2018 · album
Srdo Moja
2016 · single
Zvijezda Tjera Mjeseca (Radio Edit)
2016 · single
Kings of Sevdah
2016 · album
Tales from a Forgotten City
2013 · album
Cudna Jada Od Mostara Grada (Unreleased Live Track)
2012 · single
Frozen Roses
2009 · album
Cafe Sevdah
2007 · album
Mostar Sevdah Reunion and Saban Bajramovic
2006 · album
The Legends of Life
2006 · album
Once Upon a Time in Mostar (Live 2005)
2005 · album
A Secret Gate
2003 · album
The Mother of Gypsy Soul
2002 · album
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Biography
Mostar Sevdah Reunion is an exquisite group of artists sharing the same passion. Some might say that they live for Sevdah and that could be the only cause of their existence. To decode and to represent this over 400 year old traditional music from Bosnia and Herzegovina is a difficult task to cope with. Despite all obstacles, MSR kept going. The story begins in 1993 when Dragi Sestic, producer and former of the band, recorded an audiocassette with a couple of tracks that was distributed in limited edition among their friends. Those were the times of war in the Balkans and the reason for recording was just a getaway episode to forget for one single moment all the atrocities and suffering. Then, they gave the promise that “the whole world will know about Sevdah” – one day when war would come to an end. When the war was over Dragi Sestic made the first demo recordings of the newly formed band 1998 in Mostar. They fulfilled the promise and recorded their first album Mostar Sevdah Reunion in 1999. Since that day they have been fascinating their audiences wherever they go. The style of the band has changed since its early days, along with many of its members. Guitar and piano have joined violin and accordion as lead instruments, while a younger generation of singers has taken over as vocalists, but the music remains fluid, thoughtful, and an effective reminder that there is more to Balkan music than the high-octane brass bands and drunken stomping of popular imagination.