Artist's albums
If You Only Believe
2023 · single
I Can't Feel My Face (Me & My Toothbrush Remixes)
2023 · single
Don't You Want Me
2023 · single
Heya
2023 · single
Light up on the Weekend
2023 · single
Watcha Want (Yvvan Back Remixes)
2023 · single
What You Got
2022 · single
Solstitial
2022 · single
Trippin' on Acid
2022 · single
Unbreakable
2022 · single
Watcha Want
2022 · single
Up at Night
2021 · single
We Hold the Future
2021 · single
I Take What's Mine
2021 · single
Intoxicated
2021 · single
Spirits
2021 · single
We Want Our Clubs Back
2021 · single
Get Your Party On (Club Mixes)
2020 · single
Get Your Party On
2020 · single
Tasty
2020 · single
Funking Around
2020 · single
Are You Gonna Rock
2020 · single
Take Me Down
2019 · EP
Cowbells & Bitches
2019 · single
Don't Say It
2019 · single
Time Out
2019 · single
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Biography
Swiss musical mastermind Christian Beat Hirt has been a constant force in the music industry since the 90s. A globally renowned producer and label owner, he launched his Me & My Toothbrush alias in 2013. Dedicating this project to disco and new funk, he fused together organic guitar sounds with analog synths, resulting in a fresh & clean musical blend (giving listeners that real toothbrush feel!) Achieving several Beatport No. 1 tracks, including ‘Get Down, JB!’, ‘Hands Off’, ‘Push The Tempo’, ‘Be Alright’ and ‘Funking Around’, some of his addictive cuts are approaching the 10 million stream mark and have made their way into influential playlists and sets around the globe. A musician in the truest sense of the word, Christian Beat Hirt boasts over three thousand published compositions and productions, including his GRAMMY-nominated remix with EDX for Charlie Puth’s ‘How Long’ in 2019. Co-producing with the likes of Nora En Pure, EDX and many more, Chris has also been involved in over 500 official remixes for the likes of Camilla Cabello, Tiësto, Tove Lo, Beyoncé, Charlie XCX, David Guetta, to name a few. Mixing and mastering some of the biggest artists in pop and dance music, he has played an essential role in the development of dance culture, and continues to contribute to the scene with his own productions, his Enormous Tunes imprint, and its prolific sub-labels.