Artist's albums
Stars (feat. Steve Winwood)
2023 · single
Assumptions (BURNS' Constant Groove Edit)
2023 · single
Better (feat. Teddy Swims) [Julian Collazos Remix]
2022 · single
Better EP (feat. Teddy Swims)
2022 · single
Burning In My Arms (Edit)
2022 · single
Burning In My Arms (Extended Mix)
2022 · single
Better (feat. Teddy Swims)
2022 · single
Talamanca (Carl Cox Extended Remix)
2022 · single
Talamanca (Carl Cox Remix)
2022 · single
Talamanca (AmyElle Remix)
2022 · single
Talamanca (Robin Schulz Extended Remix)
2022 · single
Talamanca (Robin Schulz Remix)
2022 · single
Talamanca (Vintage Culture Extended Remix)
2021 · single
Talamanca (Vintage Culture Remix)
2021 · single
Talamanca (Extended Mix)
2021 · single
Talamanca (Cristoph Remix)
2021 · single
Talamanca (BURNS Sunset Mix)
2021 · single
Talamanca
2021 · single
Can’t Let Go
2021 · single
Loving Touch
2021 · EP
A Little Bit Yours (The Remixes)
2020 · single
Stupid Love (Vitaclub Warehouse Mix)
2020 · single
Energy (feat. Sabrina Claudio) [Sonny Fodera Remix]
2019 · single
Energy
2019 · single
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Biography
When it comes to producing, performing, and penning music, BURNS clings to a tried-and-true motto; that musical craftsmanship serves him well, both behind-the-scenes as a songwriter and in the spotlight as an artist. The UK-born, Los Angeles-based producer, multi-instrumentalist, and DJ has become an explosive and influential force in pop of late with work that is resonating far beyond the City of Angels. His production work includes six songs on Lady Gaga’s Chromatica - 2020’s Album of The Year - including the global hit “Rain on Me” with Ariana Grande, “Cabin Fever” for Jaden Smith, “Make Me” [Feat. G-Eazy] for Britney Spears, PARTYNEXTDOOR’s “Trauma” as well as releases for Gallant, Louis Tomlinson, Ellie Goulding, Pitbull and many more. Influenced by everything from childhood heroes Daft Punk to A$AP Rocky, and everything in between, he veers between electronic expanse, hip-hop energy, and pop power with ease. “This is what I’ve always been heading towards,” he explains. “It’s a cross between the organic and the digital, live instruments and processed sounds, and the simplicity of hip-hop production and the intricacy of house. I want to create music that works at a festival, in the club, in the car, or when you’re just chilling at home… when people hear the music, I want them to connect with it and feel like it takes them to some kind of memory or time.”