Artist's albums
TKO (DTK)
2023 · single
The Fine Art of Self Destruction (Lonely Process)
2023 · single
Wendy (Tail Lights Fade)
2023 · single
Downliner (Afterglow Version)
2023 · single
Riding on the Subway ‘22 (Anniversary Reissue)
2022 · single
Xmas, Etc.
2022 · single
Brooklyn (Walt Whitman in the Trash)
2022 · single
Glitter in the Gutter
2022 · album
Broken Radio '22
2022 · single
Keep on Burning
2022 · single
Sad and Beautiful World
2021 · album
Tall Black Horses
2021 · single
Crawling Back to You
2021 · single
State of the Art
2021 · single
The Way We Used to Roll
2021 · single
Ameri'ka
2020 · single
Todd Youth
2020 · single
Backstabbers
2020 · single
Sunset Kids
2019 · album
Chemical Heart
2019 · single
Meet Me at the End of the World Again
2019 · single
Strangers & Thieves
2019 · single
Room 13
2019 · single
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Biography
From collaborations with Bruce Springsteen and Billie Joe Armstrong of Green Day, to his early writing in D Generation, Jesse Malin fuses evocative lyrics with music that cross genres. His latest effort, Sad and Beautiful World, "is for the survivors, the dreamers, the leavers and the believers,” says Jesse Malin. “My music has always been about rebirth and redemption. This record is for those who pick up the pieces and find beauty in the madness.” The first double album of Malin’s career hits like a collection of heartfelt and eloquent short stories that never lose their dirt and swagger. The phoenix bird could be the spiritual mascot of Sad and Beautiful World, out now on Wicked Cool Records. This latest music is a natural progression of Malin’s previous work. D Generation charged onto the scene with downtown swagger while 'The Fine Art of Self-Destruction', his Ryan Adams’s produced first solo album, combined this toughness with heart-rending lyrics reminiscent of Steve Earle and Tom Waits. Subsequent work refine rock in the vein The Hold Steady and The Strokes while cultivating a personal lyrical approach a la Wilco or Elliott Smith. The Lucinda Williams produced ‘Sunset Kids,’ found Jesse reimagining broad swaths of American musical textures- invoking Lou Reed, Neil Young and Paul Simon. In Sad and Beautiful World, the genres and influences gel and Jesse Malin continues to step assuredly into the role of street-savvy, roots-minded songster.