Artist's albums
The Last Resort
2022 · album
King Bee
2021 · single
305
2020 · single
3:00AM
2020 · single
W.I.N.E.
2020 · single
Me and My Buddy
2020 · single
We Got the Stones
2020 · single
Walking Free
2020 · single
Way Down South
2020 · single
High Test Runnin'
2020 · single
Kodiak Nights
2019 · single
Everybody Wants a Little Rock n' roll
2019 · single
The House Is Rockin'
2019 · single
Momentary Moonlight / You People Are Drugs
2019 · single
Meth Lab Zoso Sticker (Limitless Extended Remix)
2019 · single
Meth Lab Zoso Sticker (Limitless Radio Remix)
2019 · single
Superfecta
2018 · album
VictorioUS
2018 · single
What Is America
2018 · single
Man in Black
2018 · single
The Warmth of the Season
2017 · single
Swagger
2017 · single
Livin in a Bitch of a World
2016 · album
Songs for a Voodoo Wedding
2014 · album
Flying High (With No I.D.)
2014 · single
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Biography
7Horse - “The Last Resort” Phil Leavitt and Joie Calio, the multi-instrumentalists behind 7Horse's self-described "post-punk dystopian blues," have been exploring unfenced territory together for 30 years. Kickstarting their partnership as members of dada — the platinum-selling alt-rockers behind '90s hits like "Dizz Knee Land" — they now pack a different punch with 7Horse, blurring the lines between '70s-sized rock & roll, Vegas showbiz glitz, and bluesy grit. It's a sound rooted in groove and Gretsch guitars, rhythm and riffs, desert-rock crunch and cinematic sweep. 7Horse's fifth album, The Last Resort, offers a snapshot of a boundary-breaking band in evolution. Since launching the band in 2011, Leavitt and Calio have saluted the glory days of American rock & roll both onstage and in the studio. Here, they make room for international flourishes, too. There's the bilingual bounce of "Non Sono Un Ragazzo," which finds drummer/frontman Leavitt recounting the band's introduction to film legend Martin Scorsese (who memorably used 7Horse's career-launching track "Meth Lab Zoso Sticker" in The Wolf of Wall Street) in both English and Italian. There's the Latin beat of "Hey Vámonos!," where flamenco guitars, polyphonic rhythm, and four-on-the-floor stomp all swirl together. At its core, though, The Last Resort charts its own musical geography - an open armed panorama of Western sound that targets the head, the heart and the hips.