Artist's albums
Drowning (in the drip)
2023 · single
Geology
2023 · single
Beacon
2023 · single
Into The Void
2022 · single
Reality (Bricksquash Remix)
2022 · single
Desolation Peak (NotLö Remix)
2021 · single
Confusion (IDHS Remix)
2021 · single
Feel Again
2021 · EP
Comfort Zone
2021 · single
Desolation Peak
2021 · single
Confusion
2021 · single
Not A Trend
2021 · single
Too Faced Stylust Remix
2020 · single
Devour
2020 · single
Too Faced
2019 · single
Technique (Clockvice & Vorso Remix)
2019 · single
Curio Remixes
2018 · EP
Curio Remixes
2018 · single
Burn
2018 · single
Final Frontier
2018 · single
Snake Charmer
2018 · single
Curio
2018 · EP
Curio
2018 · single
HiLow (Charlesthefirst Remix)
2018 · single
Dark Crystal
2017 · single
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Biography
The man named after the land with 10,000 lakes has been a force on the bass scene for nearly a decade. Although he’s made a name for himself in the electronic music space, Minnesota’s (aka Christian Bauhofer) musical journey started with heavy doses of classic rock, emo and screamo. He was heavily influenced by the psychedelic style of rock legends including Pink Floyd and Led Zeppelin and cites them as inspiration for what would become his own sound. “The songs were journeys and I really like the epicness and the trip the song took you on,” he says. Spending most of his early life in Minnesota, It was not until Christian relocated to Santa Cruz, California in 2007 where he first discovered the underground electronic music scene via renegade parties that would be thrown in the redwoods of the Santa Cruz mountains. “That community / subculture was really my main influence into the music. A lot of other artists were immersed in the Santa Cruz community like, G Jones, The Glitch Mob and Eprom. Crews would bring out a generator, Dj equipment and a few lights and play music until 10AM. We were really blown away.” Christian would soon throw his own renegade parties in Santa Cruz to provide himself with a forum to DJ. “I wanted to play music, but could never get booked, so I teamed up with some friends and we started to throw are own parties. I feel very lucky to have experienced this underground scene before electronic music and hit the mainstream.”