Artist's albums
The Exotic Moods Of Les Baxter
1996 · album
The Colors Of Brazil - African Blue
1991 · compilation
Kpm 1000 Series: Bugaloo in Brazil
1970 · album
Electro Tropicando: The Les Baxter Remixes
2023 · album
Joyas Musicales del Perú
2022 · album
101 Strings Orchestra Presents Les Baxter
2021 · album
Walk on the Wild Side
2017 · compilation
All About Les Baxter
2015 · album
Goliath & The Barbarians
2013 · album
Remixed by The Newton Brothers
2011 · album
Lounge Music Deluxe: 101 Strings
2011 · album
Les Baxter's Balladeers
2006 · album
The Soul Of The Drums
2005 · album
Moog Rock: Great Classic Hits
1968 · compilation
Baxter's Best
1960 · album
Voices In Rhythm
1961 · album
Broadway '61
1961 · album
Jewels Of The Sea
1961 · album
The Primitive & The Passionate
1962 · album
Sensational!
1962 · album
The Academy Award Winners
1963 · album
Hell's Belles
1969 · album
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Biography
Les Baxter is a pianist who composed and arranged for the top swing bands of the 1940s and '50s, but he is better known as the founder of exotica, a variation of easy listening that glorified the sounds and styles of Polynesia, Africa, and South America, even as it retained the traditional string-and-horn arrangements of instrumental pop. Exotica became a massively popular trend in the '50s, with thousands of record buyers listening to Baxter, Martin Denny, and their imitators. Baxter also pioneered the use of the electronic instrument the theremin, which has a haunting, howling sound. Baxter studied piano at the Detroit Conservatory and Pepperdine College in Los Angeles. After he completed school, he abandoned the piano and became a vocalist. When he was 23, he joined Mel Tormé's Mel-Tones. The group sang on Artie Shaw records, including the hit "What Is This Thing Called Love." In 1950, he became an arranger and conductor for Capitol Records, working on hits by Nat King Cole, including "Mona Lisa." Around the same time, Baxter began recording his own albums. In 1948, he released a triple-78 album called Music out of the Moon, which ushered in space-age pop with its use of the theremin. Four years later, he began recording exotica albums with Le Sacre du Sauvage. On his early-'50s singles Baxter was relatively straightforward, performing versions of standards like the number one hits "Unchained Melody" and "The Poor People of Paris," but on his albums he experimented with all sorts of world musics, adapting them for his orchestra. As he was recording his exotica albums, Baxter was also the musical director for the radio show Halls of Ivy, plus Abbott & Costello radio shows; he also composed over 100 film scores, concentrating on horror movies and teenage musicals and comedies. Baxter's heyday was in the '50s and '60s. Although he continued to compose and record in the 1970s, his output was sporadic. Nevertheless, a cult following formed around his exotica recordings that persisted into the '90s. ~ Stephen Thomas Erlewine, Rovi