Artist's albums
Take a Picture
2023 · single
Brothertiger
2022 · album
Be True
2022 · single
Heaven Revisited
2022 · EP
Fundamentals, Vol. IV
2022 · album
Torn Open
2022 · single
Hurts Being Alive (Brothertiger Remix)
2022 · single
New Life
2021 · EP
Heaven
2021 · EP
Fundamentals, Vol. III
2021 · album
Arizona
2021 · single
Wallow
2021 · single
Dancer on the Water
2021 · single
Brand New History (Brothertiger Remix)
2021 · single
Fundamentals, Vol. II
2020 · album
Paradise Lost
2020 · album
Paradise Lost
2020 · single
Shelter Cove
2020 · single
Big Things (Brothertiger Remix)
2020 · single
Livin'
2020 · single
Fundamentals, Vol. I
2020 · album
Here and Now / Now Is Here (Brothertiger Remix)
2020 · single
On the Farthest Island
2019 · single
A Chain of Islands EP
2019 · EP
Shallow
2019 · single
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Biography
Collecting a handful of singles released over the past year and a half, plus several unheard tracks, 'Brothertiger' sees John Jagos, a.k.a. Brothertiger, moving through his chillwave roots and into the refined glitz of sophisti-pop, a UK-born microgenre that owes its ’80s and ’90s heyday to key releases by groups like Prefab Sprout and Scritti Politti. Brothertiger’s take on the style is pure escapism — immaculately engineered, retro-leaning songs for romantic vagabonds and urbane daydreamers alike. It might be the most impressive set of songs that Jagos has ever made. Jagos has released four full-lengths under the Brotheriger alias, a figure that doesn’t even account for multiple EPs, a Tears For Fears cover album, or his four-volume series of livestreamed improvisations called Fundamentals. Still, Jagos decided to give his newest album the self-titled treatment, a move typically reserved for an artist’s debut project. After spending time with the record’s maximalist soundscapes, and after hearing Jagos discuss the deeply personal creativity that fueled the production, it’s easy to understand his thinking: the Brothertiger LP is a testament to Jagos’ technical gifts, a polished culmination of his ambitious experiments and nostalgic obsessions. But it’s also an introduction to a playful new era for a songwriter whose synthpop has often skewed broody and introspective.