Artist's albums
Spirituals
1996 · album
Time Waits For No One
1989 · album
Oh What a Feeling (2013 Remaster)
1979 · album
Carry Me Home
2022 · album
One More Change (ALA.NI Remix)
2021 · single
All In It Together
2020 · single
I'll Be Gone (With Mavis Staples)
2019 · single
We Get By
2019 · album
We Get By
2019 · single
Anytime
2019 · single
Change
2019 · single
Live in London
2019 · album
If All I Was Was Black
2017 · album
Respect Yourself (Live)
2017 · single
Turn Me Around (Live)
2017 · single
Slippery People (Live)
2017 · single
Livin' On A High Note
2016 · album
Your Good Fortune
2015 · EP
Your Good Fortune
2015 · single
One True Vine
2013 · album
Black Star
2011 · single
You Are Not Alone
2010 · album
Live: Hope At The Hideout
2008 · album
We'll Never Turn Back
2007 · album
Have A Little Faith
2004 · album
Similar artists
Pops Staples
Artist
William Bell
Artist
Taj Mahal
Artist
Levon Helm
Artist
Dave Alvin
Artist
Ruthie Foster
Artist
Eric Bibb
Artist
Dr. John
Artist
The Neville Brothers
Artist
Shemekia Copeland
Artist
Solomon Burke
Artist
Chris Smither
Artist
Bettye LaVette
Artist
The Blind Boys Of Alabama
Artist
Lucinda Williams
Artist
Allen Toussaint
Artist
Ray Bonneville
Artist
Buddy Miller
Artist
Eilen Jewell
Artist
The Staple Singers
Artist
Biography
Though Staples and Helm got on like childhood pals, the two were already both stars in their own right by the time they first met at the 1976 filming of ‘The Last Waltz’. Critics would go on to cite The Staple Singers’ collaboration with The Band on “The Weight” as a high point of the film, and Mavis and Levon would remain close friends in the decades to come, but it was unclear if the pair would ever get to sing together again after Helm was diagnosed with throat cancer in 1998. More than two dozen radiation treatments robbed him of his voice, and, as Helm told Fresh Air’s Terry Gross in a 2007 interview, “I had a period of time there for about two-and-a-half years or so where I had to whisper or write you a note to tell you what I wanted you to know.” But when Staples arrived in Woodstock for the Ramble, the ever-resilient Helm was in the midst of a genuine renaissance. The cancer was in remission, his voice had returned, and he’d won a pair of GRAMMY Awards for his two most recent solo albums (he’d take home his third less than a year later). On top of all that, Helm, much like Staples, was now more in demand than ever, sought out by a younger generation of artists who rightfully revered him not only as one of the greatest drummers of all time, but as a patron saint of the American musical canon.