Artist's albums
Gordon, Lang & Wolfe: Lost Objects
2001 · album
Eno/Wyatt/Davies: Music for Airports
1998 · album
Autodreamographical Tales
2022 · album
Long Bus Ride
2021 · single
Memory Game
2020 · album
The Passion
2019 · album
More Field Recordings
2017 · album
Cloud River Mountain
2017 · album
Julia Wolfe: Anthracite Fields
2015 · album
Field Recordings
2015 · album
Julia Wolfe: Steel Hammer
2014 · album
Steel Hammer
2014 · album
Big Beautiful Dark and Scary
2012 · album
Music for Airports: Live
2011 · compilation
Music for Airports: Live
2011 · album
A Ballad for Many
2011 · album
Bang On A Can Meets Kyaw Kyaw Naing
2011 · album
Bang on Can Classics
2011 · album
Elida
2011 · album
Gigantic Dancing Human Machine
2011 · album
Glass: Music in Fifths & Two Pages
2011 · album
In C
2011 · album
In C
2011 · single
Renegade Heaven
2011 · album
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Biography
Formed in 1992, the Bang on a Can All-Stars are recognized worldwide for their ultra-dynamic live performances and recordings of today’s most innovative music. Freely crossing the boundaries between classical, jazz, rock, world and experimental music, this six-member amplified ensemble has consistently forged a distinct category-defying identity, taking music into uncharted territories. Performing each year throughout the U.S. and internationally, the All-Stars have shattered the definition of what concert music is today. Together, the All-Stars have worked in unprecedented close collaboration with some of the most important and inspiring musicians of our time, including Steve Reich, Ornette Coleman, Burmese circle drum master Kyaw Kyaw Naing, Tan Dun, DJ Spooky, and many more. The group’s celebrated projects include their landmark recordings of Brian Eno’s ambient classic Music for Airports and Terry Riley’s In C, as well as live performances with Philip Glass, Meredith Monk, Don Byron, Iva Bittova, Thurston Moore, Owen Pallett and others. The All-Stars were awarded Musical America’s Ensemble of the Year and have been heralded as “the country’s most important vehicle for contemporary music” by the San Francisco Chronicle.