Artist's albums
Simon Boccanegra staring Leyla Gencer
2022 · album
Mozart: Le nozze di Figaro, K. 492 (Live)
2019 · album
Verdi: Falstaff (Live)
2019 · album
Mozart: Così fan tutte, K. 588 (Live)
2018 · album
Verdi: Highlights from Oberto & Alzira
2016 · album
Verdi: Oberto, conte di San Bonifacio
2016 · album
Bellini: I puritani (Recorded 1952)
2015 · album
Donizetti: Lucia di Lammermoor (1956)
2015 · album
Donizetti: Lucia di Lammermoor (1957)
2015 · album
Gounod: Philémon et Baucis (Recorded 1960)
2015 · album
Mozart: Così fan tutte, K. 588 (Recorded 1957)
2015 · album
Paisiello: Il barbiere di Siviglia
2014 · album
Rossini: L'Italiana in Algeri
2014 · album
Handel: Serse (Xerxes), HWV 40 [Recorded 1962]
2014 · album
Rolando Panerai
2014 · album
Mozart: Così fan tutte
2013 · album
Verdi: Aida
2013 · album
Verdi: Falstaff
2013 · album
Mozart: Così fan tutte
2009 · album
Puccini: La Boheme
2008 · album
Verdi: Falstaff
2008 · album
Menotti: Amelia Al Ballo
2006 · album
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Biography
In a career spanning over 60 years, the venerable Rolando Panerai not only was one of the most admired and popular baritones of his time but one of the most versatile. Panerai was born in the Italian town of Campi Bisenzio, near Florence, on October 17, 1924. After studying with Vito Frazzi in Florence and with Giulia Tess in Milan, he won first prize in the Spoleto-based Adriano Belli Competition. He debuted in 1946 in Florence, singing Enrico Ashton from Donizetti's Lucia di Lammermoor. Panerai's La Scala debut came in 1951 when he sang the High Priest with great success. In his early career, Panerai not only distinguished himself with memorable performances, but he took chances: when he sang Ruprecht from Prokofiev's The Fiery Angel at the 1955 Venice music festival, it was the first stage performance of the opera, a work virtually unknown at the time, even in Russia. Other important debuts followed, including at Salzburg (1957), San Francisco (1958), and Covent Garden (1960). By 1970, he was a well-known recording artist and had worked with numerous celebrated conductors like Serafin, Sabata, Giulini, and Karajan, and would sing under Muti, Sawallisch, and many others from the younger generations. Though he lacked a measure of power in his voice, he always possessed an attractive tone and excellent dramatic skills. Panerai appeared in most of the major operatic venues in the world and on numerous recordings, again in varied repertory that bespoke his seemingly inherent versatility. Witness the disparate roles he sang: the High Priest from Saint-Saëns' Samson et Dalila, Paolo (Verdi's Simon Boccanegra), Ford (Verdi's Falstaff), Svejk (Guido Turchi's Il buon soldato Svejk), Mathis (Hindemith's Mathis der Maler), and many more, including Mozart's and Rossini's Figaro. He sang in more than 150 operas and, not surprisingly, with many of the operatic greats, including Callas, Tebaldi, Corelli, Bergonzi, di Stefano, Pavarotti, and countless others. As Panerai entered the new century, he was not as active as in the past, but still appeared regularly on the stage, including at the Paris Opera, Glyndebourne, and Frankfurt Staatsoper. In June 2000, the indefatigable Panerai appeared in the Zubin Mehta-led international television broadcast production of Verdi's La Traviata singing Giorgio Germont. Even later, he performed Gianni Schicchi in Genoa at the age of 87. Panerai died at the age of 95 in late 2019, while still living near Florence. His recorded legacy is on a variety of labels, including EMI and Decca. Older performances have been reissued on Opera d'Oro, Urania, Andante, and several other labels.