Damien Jurado lyrics
Artist · 728 869 listeners per month
Artist's albums
Minnesota (hinoon & LVAN Remix)
2022 · single
Allocate (MVCA & hinoon Remix)
2021 · single
What's New, Tomboy?
2020 · album
Alice Hyatt
2020 · single
Birds Tricked into the Trees
2020 · single
In the Shape of a Storm
2019 · album
Throw Me Now Your Arms
2019 · single
Lincoln
2019 · single
South
2019 · single
The Horizon Just Laughed
2018 · album
Percy Faith
2018 · single
Allocate
2018 · single
Over Rainbows and Rainier
2018 · single
Visions of Us on the Land
2016 · album
QACHINA
2016 · single
Exit 353
2015 · single
Ohio (filous Remix)
2014 · single
Silver Timothy
2013 · single
Other People's Songs Volume One
2013 · album
Maraqopa (Deluxe Edition)
2012 · album
Maraqopa Sessions
2012 · EP
Live At Landlocked
2011 · album
Saint Bartlett
2010 · album
Caught In The Trees
2008 · album
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Biography
“Play on, there’s no such thing as better days,” Damien Jurado sings on “Roger,” the sweeping wash of a song that opens Reggae Film Star, his 18th full length album and second release from Jurado’s own Maraqopa Records label. But as he enters his 25th year as a recording artist, it’s clear these are, at the least, very good days for Jurado on the creative front. In these 12 songs, which evoke half-recalled dreams and overheard conversations, the cosmic rushes headlong into the autobiographical and specific moments on the clock fade from past to future to scenes set only in the eternal now. Produced by Jurado with multi-instrumentalist Josh Gordon and recording engineer Alex Bush at Sonikwire studio in Irvine,CA, Jurado’s home away from home and musical headquarters, the record’s compositions are among the most musically rich in his vast discography, encompassing romantic AM gold, ‘60s psychedelia, driving rock & roll, Latin shuffles, and left of the dial ambiance. Strings swell, melodic bass bubbles, and piano sparkles, undergirding Jurado’s unmistakable voice, at once intimately present and ghostly, grounded in the here and now but capable, at any moment, of drifting off into the divinatory. Following threads established by 2021’s The Monster Who Hated Pennsylvania, the album sees Jurado embracing his auteur era, penning vignettes that arrive with little fanfare and depart quicker than you might suspect, only to linger long after they wrap. Excerpts from RFS album bio