Artist's albums
Lovely
2023 · single
Eugene
2022 · single
A Series Of... Mostly Nothing
2021 · album
Yellow Paint
2021 · single
The Art of Letting Go
2021 · single
Oh My God
2021 · single
The Price of Comfort
2019 · album
Do It Better
2019 · single
My Anxious Soul
2019 · single
Honest Face Sessions
2017 · single
Twenty
2017 · EP
College
2017 · single
Similar artists
Short Fictions
Artist
Esta Coda
Artist
Petal
Artist
Thanks! I Hate It
Artist
Palette Knife
Artist
Super American
Artist
Harmony Woods
Artist
Carly Cosgrove
Artist
The Sidekicks
Artist
Spanish Love Songs
Artist
Save Face
Artist
Downhaul
Artist
Webbed Wing
Artist
Oso Oso
Artist
University Drive
Artist
The Menzingers
Artist
Biography
James Barrett’s “before” looks a lot like yours. After releasing debut LP The Price of Comfort, the Scranton singer-songwriter moved onto his next planning phase, stuck between eras labeled by plaintive acoustic tracks & the ringing clarity of a full-band effort. In October 2019, Barrett began writing what would become A Series of...Mostly Nothing, a modest name for his most realized work yet. It’s a love letter to the hushed splendor of The National & the spaced-out bombast of Angels & Airwaves, embellished with a theatrical identity boosted by live strings, horns, & good friend Amanda Rogan (Sweetnest) lending vocals to many moments. As 2020 grew more unpredictable by the day, A Series of… could’ve imploded. Barrett, largely a solo artist with Jake Checkoway (Sleeping Patterns, Origami Angel) as his long-time producer, brought in an ensemble cast to flesh out the experience. Studio time became unfeasible, so the album was pieced together from drum tracks recorded in Los Angeles & sessions taken from a tiny house transformed into a creative epicenter. Disjointed as it was, the final product never feels incomplete, instead seamless & layered. Barrett’s stadium-rock M.O. bleeds through most of the runtime, from the ironclad hook surging through “Love Song in 2020” & the urgent catharsis propelling “The Art of Letting Go.” James gives equal time to softer reflections, citing piano-centric “Yellow Paint” & “U-Haul” as balancing out the album’s rockist posture. - James Cassar