Artist's albums
Rossini: Il barbiere di Siviglia
2022 · album
Donizetti - Don Pasquale
2017 · album
Donizetti - Don Pasquale
2017 · album
Proms Music 2016, Vol. 5
2016 · compilation
Christa Ludwig
2016 · album
Puccini: Tosca
2016 · album
Verdi: Luisa Miller
2016 · album
Verdi: Otello
2015 · album
Turandot, Puccini, Grandes Óperas
2015 · compilation
Verdi: La Traviata
2015 · album
Recital (1951-1957)
2015 · album
Otello - Giuseppe Verdi
2015 · compilation
Puccini: La bohème (Sung in German)
2015 · album
Puccini: Turandot (Recorded 1955)
2015 · album
Verdi: Rigoletto (Recorded Live 1951)
2015 · album
Puccini: Manon Lescaut (Recorded 1952-1956)
2014 · album
The Queen (Recordings 1949-1960)
2014 · album
Verdi: Un ballo in maschera (Sung in German)
2014 · album
Puccini: La bohème (Recorded 1953)
2014 · album
Chaconne in G Minor for Violin and Continuo
2014 · single
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Biography
Conductor Alberto Erede was well known for his opera performances in Europe and the United Sates, especially from the 1930s until the 1960s. He began his musical studies on the piano and cello. He studied composition at the Milan Conservatory before deciding to devote his energies to conducting. He went to Basle to study conducting with Felix Weingartner, then trained under Fritz Busch at Dresden. In 1930, he made his professional conducting debut with the Accademia di St. Cecilia at Rome. In 1934, he was hired to serve on the conducting staff at the opening season of the Glyndebourne Festival, where he conducted until 1939. During this period, he was also musical director of the Salzburg Opera Guild, with whom he toured the United States in 1937. That same year, he made his debut conducting an American ensemble, with Toscanini's NBC Symphony Orchestra. This led to further engagements with NBC and in 1939, Erede conducted the broadcast premiere of Menotti's The Old Maid and the Thief. Erede returned to Italy during World War II, conducting operatic and symphonic performances. He was chief conductor of the RAI Symphony Orchestra, Turin, from 1945 to 1946. Following the war, Erede was especially active in Britain and Germany. In 1946, he was appointed musical director of the New London Opera Company at the Cambridge Theatre, a post he held for two seasons. From 1950 to 1955, he regularly conducted at the Metropolitan Opera (he was on the podium when Kirsten Flagstad gave her farewell performance in 1952 in Gluck's Alceste), and he was named general music director of the Deutsche Oper am Rhein in 1958 (the first Italian to hold this post). During the 1950s and '60s, Erede was in demand as a guest conductor, especially at Covent Garden and the Edinburgh Festival. In 1968, he led a performance of Wagner's Lohengrin at Bayreuth, making him the third Italian (after Toscanini and de Sabata) to conduct at that festival. In 1961, he took the position of chief conductor of the Gothenburg Symphony Orchestra. As late as 1988, he was still conducting at the Rome Opera. Erede's recorded legacy includes 14 complete operas, as well as discs of operatic arias by singers such as Tebaldi and Gobbi.