Artist's albums
Blood Throne
2023 · single
Decade of Hate (Live in Melbourne 2023)
2023 · album
Keres
2023 · single
Join Me In Armageddon
2023 · single
The Aggression Sessions
2023 · EP
Until There Is No Longer
2023 · single
Killing Season
2020 · single
Human Target
2019 · album
Death Perception
2018 · single
Dear Desolation
2017 · album
No Absolution (Remastered)
2017 · single
The Depression Sessions
2016 · EP
Holy War
2015 · album
Hate
2013 · album
The Adversary
2009 · album
The Adversary
2009 · album
Infinite Death - EP
2008 · EP
Infinite Death (Remastered 2023)
2007 · EP
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Biography
Privatized prisons enforce police states, where nonviolent offenders languish for decades. Pharmaceuticals numb the mind. Social media distracts the spirit. All while the very planet lurches toward an inevitable climate disaster that will extinguish humanity. The Nightmare of Human Organ Harvesting? That’s not a gruesome song title from some forgotten old-school death metal record. It’s a headline from the Wall Street Journal. Against this backdrop of postmodern dystopia, chaos, and confusion, arrives Human Target, the earth-scorching fifth album from extreme metal titans THY ART IS MURDER. Australia’s most brutally alarming cultural export since George Miller’s Mad Max franchise makes music that serves as a loud last gasp against the ever-encroaching void. It’s a blazing light of nihilistic despondency before the final darkness. Fusing authentic crushing death metal with blackened fury and flashes of knuckle-dragging stomp, THY ART IS MURDER exorcise the pangs of mortality and the pains of socio-political trauma. If this is truly the soundtrack to the end of humanity, it’s music that should unite and empower extreme metal fans in all corners of the genre. As New Noise declared, “few embrace the feel of the apocalypse so dearly and expertly… THY ART IS MURDER is clearly at the head of the modern death metal pack [and] they are just getting better.” This is extreme metal for the people, torchbearers for a primal style that doesn’t die.