Artist's albums
8 Bit Memories (Televangel Remix)
2023 · single
Ignore Grief (Remixes)
2023 · single
Accomplice
2023 · EP
Ignore Grief
2023 · album
Pahrump
2023 · single
Maybae Baeby
2023 · single
Serious Ground (Xiu Xiu Remix)
2021 · single
Rich and Beautiful (Xiu Xiu Remix)
2021 · single
A Real Indication
2021 · single
Dear God I Hate Myself (Deluxe Reissue)
2021 · album
Killing Distance
2021 · single
OH NO
2021 · album
Faces (Xiu Xiu Remix)
2021 · single
Marathon Man (Xiu Xiu Remix)
2021 · single
Pandroginia (Xiu Xiu Remix)
2020 · single
New York in the Rain (Xiu Xiu Remix)
2020 · single
Yellow Candle
2019 · single
Girl with Basket of Fruit
2019 · album
Xiu Xiu / (r)
2017 · single
FORGET
2017 · album
Plays the Music of Twin Peaks
2016 · album
MERZXIU
2015 · album
Stupid in the Dark Remixes - EP
2014 · EP
Unclouded Sky
2014 · album
Angel Guts: Red Classroom
2014 · album
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Biography
Over the course of the last two decades, Xiu Xiu’s prolific output of critically acclaimed albums and collaborations has been consistent and dazzling. They’ve released many full-length albums that have been praised in outlets such as The New Yorker, Pitchfork, Rolling Stone, The Guardian, NME and others, and have toured the globe relentlessly, performing at places like The Guggenheim, Primavera Festival, Benicassim Festival, Pitchfork Festival and others. Xiu Xiu has spent twenty years grappling with how to process, to be empathetic towards, to disobey and to reorganize horror. Ignore Grief is a record of halves. Angela Seo sings on half of the record. Jamie Stewart sings on half of the record. Half of it is real. Half of it is imaginary. The real songs attempt to turn the worst life has offered to five people the band is connected with into some kind of desperate shape that does something, anything, other than grind and brutalize their hearts and memory within these stunningly horrendous experiences. The imaginary songs are an expansion and abstract exploration of the early rock and roll “Teen Tragedy” genre as jumping off point to decontaminate the band’s own overwhelming emotions in knowing and living with what has happened to these five people.