Artist's albums
They'll Just Love You (feat. Poppy & Danny Elfman)
2023 · single
Wednesday (Original Series Soundtrack)
2022 · album
Bigger. Messier. (Deluxe.)
2022 · album
White Noise (Soundtrack from the Netflix Film)
2022 · album
Bigger. Messier.
2022 · album
Aliens, Clowns And Geeks (Soundtrack)
2022 · compilation
Kick Me
2022 · single
Perspectives
2022 · album
Native Intelligence
2022 · single
Sorry (Kid606 Remix)
2021 · single
Serious Ground (Xiu Xiu Remix)
2021 · single
We Belong (Squarepusher Remix)
2021 · single
True
2021 · single
Big Mess
2021 · album
Insects
2021 · single
True
2021 · single
Kick Me (Zach Hill Remix)
2021 · single
Kick Me
2021 · single
Love In The Time of Covid
2021 · single
Sorry
2021 · single
Happy
2020 · single
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Biography
If Danny Elfman’s new album surprises you, just know that it surprised him, too. “This wasn’t a record I ever planned on making,” confesses Elfman. “At times, I had no idea where the music was even coming from. It was all unexpected. But I decided not to resist it either.” Driven by primal forces seemingly beyond his control, Big Mess marks Elfman’s first solo collection in more than thirty years, but it’s no return to form. Clocking in at 18 tracks, the sprawling, ambitious double album finds the Grammy and Emmy Award-winning composer breaking bold new ground as both a writer and a performer, drawing on a dystopian palette of distorted electric guitars, industrial synthesizers and orchestra in an effort to exorcise the demons brought about by four years of creeping fascism and civil rot. The songs here call to mind everything from Nine Inch Nails, to David Bowie to XTC at times, balancing dense, harmonically complex arrangements with biting, acerbic wit as they reckon with the chaos and confusion of the modern world. Elfman wrote almost all of the record during quarantine, and while the anger, frustration, and isolation of it all is palpable in his delivery, Big Mess is about more than simply blowing off steam. In making the space to truly sit with his emotions and write without limitations, Elfman achieved a kind of artistic liberation on the record that had been eluding him for decades, rediscovering his voice and reinventing himself all at once in the process.