Artist's albums
Year Of The Dark Horse
2022 · album
Not Today / Winter Act 2
2022 · single
Winter Act 2
2022 · single
Not Today
2022 · single
The Drifter (Acoustic)
2022 · single
Fantasy
2021 · single
Christmas Eve
2020 · single
Guiding Light
2020 · single
On The Widow's Walk (Deluxe)
2020 · album
On The Widow's Walk
2020 · album
Faster Than Fire
2020 · single
Problem Solution
2020 · single
Problem Solution / Faster Than Fire
2020 · single
The Rapture
2020 · single
The Observatory (Acoustic-Amazon Original)
2018 · single
Christmas Eve (Amazon Original)
2017 · single
Darkest Darks, Lightest Lights
2017 · album
Love and the Death of Damnation
2015 · album
Go The Distance
2015 · single
Modern Times
2015 · single
Come Join the Murder (From Sons of Anarchy)
2014 · single
Shadows, Greys & Evil Ways
2013 · album
Highwayman
2013 · single
Once Upon A Time In The West
2012 · album
The Whistler
2012 · single
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Biography
For The White Buffalo – aka singer / songwriter / guitarist Jake Smith, Oregon-born, Southern California-raised – it was time to take the less travelled path; to assemble notions for studio album Number 8, the follow-up to ‘On The Widow’s Walk’ (Snakefarm, 2020), and embark on a voyage of discovery. Enter ‘Year Of The Dark Horse’… When Jake, flanked by regular touring / recording compadres, bassist / keyboard player / guitarist Christopher Hoffee and drummer Matt Lynott, crossed the threshold of East Nashville’s Neon Cross Studio, a converted Southern Baptist Church, he wasn’t chapter an’ verse prepared, as usual. For ‘Year Of The Dark Horse’ to achieve its full potential, Jake knew the experience had to be immersive, which is why the Nashville location proved crucial. Not only were the three musicians away from the lures of home, but the house they all stayed in was just a block from the studio, and filled with a variety of instruments. Wherever they were, they could hone in on the project, and some of the songs came together while the clock was ticking… Over the years, Jake has built a second-to-none reputation for the emotional weight of his music, and here this core element dramatically underpins a body of work that allows the imagination of the listener to play an important part throughout, building on a tale of debauchery. Which effectively sums up ‘YOTDH’ as a whole, The White Buffalo’s most unpredictable and inventive work to date.