KIDSØ lyrics
Artist · 224 000 listeners per month
Artist's albums
Who I Once Knew (KIDSØ Remix)
2023 · single
Sunniva
2023 · EP
Freya
2023 · single
Seven Nation Army
2023 · EP
Bloom In The Cold
2023 · EP
What If I
2023 · single
Fall (Rocko Garoni Remix)
2022 · single
Hide (Oliver Deutschmann Remix)
2022 · single
Fir
2022 · album
Breathing
2022 · single
Finja (Peer Kusiv Remix)
2021 · single
Fir
2021 · single
Finja
2021 · single
Hologram
2021 · single
Youth (BYLJA Remix)
2021 · single
No Reason (KIDSØ Remix)
2020 · single
Felt
2020 · single
Childhood
2020 · EP
Childhood
2020 · single
Path
2020 · single
Father
2019 · EP
Father
2019 · single
Sparkle
2019 · EP
Sparkle
2019 · single
Apart
2018 · EP
Apart
2018 · EP
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Biography
A beat like a pulse. A chime. Synthesizer sounds that start harmoniously, almost groping, slowly becoming darker, softly droning, gently driving the pulse up, while beautiful voices keep wafting through the track. It is what could perhaps best be described as danceable melancholy. Or, as Moritz Graßinger (analogue synths, piano, percussions) and Martin Schneider (drums, e-percussions, video installation) sometimes say with a smile: electronic music for people who otherwise don't listen to electronic music that often. Both somehow hit the mark. And somehow also not, or only insufficiently. Because what the two of them produce as KIDSØ can hardly be squeezed into style pigeonholes or pinned down by euphonious adjectives. It is electronic music at its core, that's for sure. But not the finger-in-the-air-let-us-rub-against-each-other-in-the-Berghain-electronic, but rather what a Jon Hopkins produces when he has eaten the right mushrooms. With the difference that KIDSØ record this sound predominantly analogue and organic. KIDSØ songs also have that special, otherworldly, melancholic vibe that many mixes of the grandiose Late Night Tales series carry, for example, or the electronically embellished pieces of an Ólafur Arnalds. And yet Moritz and Martin can turn their yearning compositions live to thoroughly danceable and euphoric, as if they were written for the blue hour of a club night.