Artist's albums
NOW 現在
1999 · album
聽健 16首廣東精選
1999 · album
至愛吾愛
1999 · album
少年 The Younger Me
2019 · album
周華健/張大春 原創音樂劇 賽貂蟬
2019 · album
古董局中局 (影视剧原声带)
2019 · album
橙紅年代 (電視劇《橙紅年代》同名歌曲)
2018 · single
流浪的終點
2018 · single
東方之珠(II) 在我生命中的每一天
2017 · single
江湖晚
2017 · single
已讀不回
2015 · single
「水滸三部曲」 原創音樂選輯
2015 · album
江湖
2013 · album
周華健 & 蘇慧倫2013全新合唱曲第一彈 不可能是不可能的事
2013 · single
周華健 & 蘇慧倫2013全新合唱曲第二彈 瀟瀟雨未歇
2013 · single
妙手空空 (電影"十二生肖"預告片主題曲)
2012 · single
花旦
2011 · album
花旦
2011 · album
拼了
2006 · single
雨人
2006 · album
DSD Collections
2004 · album
周華健 周而復始 Keep Wakin 1987-2002
2003 · compilation
一起吃苦的幸福
2003 · album
滾石香港黃金十年-周華健精選
2003 · album
周華健 & friends
2001 · album
忘憂草
2001 · album
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Biography
b. c.1960, China. Justifiably ranked as China’s top singer-songwriter, since the mid-80s Chau has produced over 20 number 1 albums in the world’s most populous market. Capable of singing in Mandarin Chinese, English or Cantonese, each of these releases has been a million-seller worldwide. His concerts regularly break attendance records at performances throughout the Asian continent, from Hong Kong and Singapore to Taiwan and his native China. A shower of awards have accompanied his every move, and it is doubtful whether any other music artist is as readily recognizable throughout Asia. His nickname, Killer Of Heavenly Kings, arose from an article in a Hong Kong magazine. At the time his second Cantonese album, You Stand By Me, was selling exponentially in that territory, displacing the leading popular music artists who had become known as the ‘four heavenly kings’. Much of this success can be put down to Chau’s prolific ability to write songs - his albums contain music almost exclusively written, played and sung by himself, helping to break the grip pop singers have long held on the Chinese market. He began singing in the school choir, before listening to western records by the Beatles (‘for me the definition of popular music’) and Simon And Garfunkel - artists who would become his primary influences alongside domestic singers such as Cui Jian. In particular the basic, unaccompanied guitar sound of Paul Simon’s work is still reflected in Chau’s live shows, where he eschews the more melodramatic properties of Chinese stage presentation in favour of a simple and intimate recital of his work.