Artist's albums
Beyond Horizons (High Contrast Remix)
2023 · single
You Don't Understand (feat. Jamie McCool)
2023 · single
listen up (High Contrast Remix)
2023 · single
Can't Give You Up
2023 · single
Stella (High Contrast Remix)
2022 · single
Return Of Forever (Camo & Krooked & Mefjus Remix)
2022 · single
Music Is Everything (Pola & Bryson Remix)
2022 · single
Kiss Kiss Bang Bang (Bou Remix)
2022 · single
Don't Need You
2021 · single
No Bad Days (High Contrast Remix)
2021 · single
Bourgeois Imagery
2021 · single
Foreign Things (High Contrast Remix)
2021 · single
Paradise (High Contrast Remix)
2021 · single
Notes_from_the_Underground_2.0_Remixes.zip
2021 · single
Remind Me (High Contrast Jungle Mix)
2021 · single
Lord Its A Feeling (High Contrast Remix)
2021 · single
Met Her At A Dance In Leicester (Sticky Remix)
2021 · single
Met Her At A Dance In Leicester (DJ Marky Remix)
2021 · single
Notes From The Underground
2020 · album
Rhythm Is Changing (feat. LOWES) [Tom Everett Remix]
2020 · single
Time Is Hardcore (Remixes)
2020 · single
Rhythm Is Changing (feat. LOWES)
2020 · single
Time Is Hardcore (feat. Kae Tempest & Anita Blay)
2020 · single
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Biography
Lincoln Barrett aka High Contrast is an electronic musician, producer, DJ, Grammy nominee and remixer for everyone from White Stripes to Kanye West, Coldplay to Calvin Harris. The Welsh-born bespectacled polymath has been a key player on the drum’n’bass scene for many years but as long ago as 2012 proved himself to be a musician with a wider ambit when he curated music for the Olympic opening ceremony. He is the master of melodic, melancholic jungle: hardcore with a harmonic core. He has been issuing records for nearly two decades, with early 00s d’n’b crossover successes including Racing Green, The Basement Track and Return of Forever and more recent, and increasingly expansive, singles such as Shotgun Mouthwash, The Beat Don’t Feel The Same and Going Up.Notes From The Underground finds Lincoln hermetically ensconced in his Cardiff home studio, using old samplers from the 90s – variously, the Roland W-30 sampler used by the early Prodigy, the Boss SP-303 which was prevalent during 90s hip hop, and classic jungle sampler AKAI S950, which allows you to time-stretch, a key attribute of the genre – “I’m always ‘sampling’ titles and putting them into new contexts,” he says of past LP titles High Society (2004), Tough Guys Don’t Dance (2007) and The Agony & The Ecstasy (2012). “Jungle is thought of as underground music, so I felt this title was fitting. It’s me going back to my jungle and hardcore roots.”