Artist's albums
Quintessential Cleo
2001 · album
Nothing Without You
1992 · album
Jazz
1991 · album
Cleo Laine Sings Sondheim
1988 · album
Wordsongs
1986 · album
Laine: That Old Feeling
1984 · album
Let The Music Take You
1983 · album
Sometimes When We Touch
1980 · album
The Stars of Jazz - Cleo Laine
2023 · album
A Lover and His Lass
2021 · album
Jazz Britannica, Vol. 4: Annie Ross / Cleo Laine
2021 · album
Jazz Britannica, Vol. 1
2021 · album
Palladium Jazz Date
2020 · album
All About Me
2015 · album
Bernstein: On The Town
2013 · album
Stormy Weather
2009 · album
In Retrospect
2008 · album
Once Upon A Time
2005 · album
Smilin' Through
2004 · album
Loesser Genius
2003 · album
Collection
2002 · album
Meet Cleo
1957 · album
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Biography
With a multi-octave voice similar to Betty Carter's, incredible scatting ability, and ease of transition from a throaty whisper to high-pitched trills, Cleo Laine was born in 1927 in the Southall section of London, the daughter of a Jamaican father and English mother. Her parents sent her to vocal and dance lessons as a teenager, but she was 25 when she first sang professionally, after a successful audition with the big band led by Johnny Dankworth. Both Laine and the band recorded for Esquire, MGM and Pye during the late '50s, and by 1958, she was married to Dankworth. With Dankworth by her side, Laine began her solo career in earnest with a 1964 album of Shakespeare lyrics set to Dankworth's arrangements, Shakespeare: And All That Jazz. Laine also gained renown for the first of three concert albums recorded at New York's Carnegie Hall, 1973's Cleo Laine Live! At Carnegie Hall. She also recorded two follow-ups (Return to Carnegie and The 10th Anniversary Concert) the latter of which in 1983 won her the first Grammy award by a Briton. She has proved a rugged stage actress as well, winning a Theater World award for her role in the Broadway musical The Mystery of Edwin Drood, (in addition to Tony and Drama Desk nominations as well). In 1976 she recorded a jazz version of Porgy and Bess with Ray Charles, and also recorded duets with James Galway and guitarist John Williams. Laine and Dankworth continued to tour into the 1990s, and she received perhaps her greatest honor when she became the first jazz artist to receive the highest title available in the performing arts: Dame Commander. ~ John Bush, Rovi