Artist's albums
Outside Of The Blue
2022 · album
Outside Of The Blue
2022 · album
People Should Know Better
2021 · single
People Should Know Better
2021 · single
Stargazing
2021 · single
Stargazing
2021 · single
Outside Of The Blue
2021 · single
Outside Of The Blue
2021 · single
Daydreaming EP
2021 · EP
Daydreaming EP
2021 · EP
The Things She Says To Me
2021 · single
The Things She Says To Me
2021 · single
Billie
2021 · single
Billie
2021 · single
Stuck On A Feeling
2020 · single
Stuck On A Feeling
2020 · single
Acoustic EP
2019 · EP
Acoustic
2019 · EP
SPINN
2019 · album
SPINN
2019 · album
Sunshine
2019 · single
Believe It Or Not
2019 · single
Is There Something That I Missed?
2019 · single
Bliss
2018 · single
Bliss
2018 · single
Boredom
2018 · single
Boredom
2018 · single
Shallow
2018 · single
Shallow
2018 · single
It's Not Getting Better
2018 · single
It's Not Getting Better
2018 · single
SPINN EP
2018 · EP
SPINN EP
2018 · EP
After Dark
2018 · single
After Dark
2018 · single
Notice Me
2017 · single
Notice Me
2017 · single
Home
2017 · single
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Biography
Drawing inspiration from Buddhist teachings and the hopeful attitude of frontman Johnny Quinn, Liverpool-based four-piece SPINN return with their staggering second album 'Outside Of The Blue'. It’s the follow-up to their 2019 self-titled debut, which received lavish praise from the likes of Dork and The Line Of Best Fit, which preceded the band heading out on a sold-out UK tour with slots at Reading & Leeds and Truck followed by their biggest headline show to date in Tokyo. Packaged with a vibrant visual world created by guitarist Luke Brickett and designer Marnie Cox, the album’s artwork references some of their key external references – books and films. Notably, the album’s most obscure love song, “Stargazing”, draws on the narrative of 2014 horror flick A Girl Walks Home Alone at Night where a reclusive vampire falls for one of the villagers she’s been terrorising. Produced by Tom Longworth (Oscar Lang, Spector, Vistas and BLOXX) at Parr Street Studios in Liverpool, this time the process felt a lot more relaxed. “It was a lot more fun,” Johnny says, “I think you can tell from listening to the album that there were lots of good vibes in the room.” From backing vocal ad libs, to taking turns on percussion and bassist Sean adding bits of guitar here and there, together with Longworth, the band created a safe, collaborative atmosphere where 'Outside Of The Blue' could really flourish.