Artist's albums
Vitrola digital
2001 · album
Grandes Sucessos - Demetrius
2000 · album
All In The Mind
1997 · single
Buenos Dias Argentina / O Menino e o Pião
1970 · single
Meu Velho
1970 · single
Não Se Preocupe / Me Deixa
1978 · single
Quarantine Days
2020 · single
Heat
2019 · single
Spooky
2019 · single
Heart in My Pocket
2019 · single
Demetrius
2018 · album
In da Hood
2017 · single
Dayze
2017 · EP
TFTI
2016 · album
What Must I Do?
2015 · single
Melancholia
2015 · single
Demetrius
2014 · album
Nothing but the Music
2013 · single
Yes We Can
2009 · single
Demetrius
2008 · album
O Ídolo Que Volta
2008 · album
Ídolo da Juventude
2008 · album
Viver por Viver
1968 · album
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Biography
Demétrius is one of the precursors of the Brazilian rock genre that appeared in the '80s. Writing songs in English and versions in Portuguese, he recorded eight LPs and CDs from 1961 to 1999 and had great popular success in the '60s and '70s. He wrote songs in English in the rock genre, like "Hold Me So Tight," recorded in the late '50s by Young. He had several hits in the '60s, like "A Bruxa" (Baby Santiago), "O Ritmo Da Chuva," his version of John Gummoe's "Rhythm of the Rain," and "Voltou a Carta" (his version of "Return to Sender," Elvis Presley's hit). In 1966, Wanderléa also had success in her re-recording of "Ternura," Demétrius' version of Estelle Levitt's "Somehow It Got To Be Tomorrow Today"; the song was incorporated to Wanderléa's image, as she became known as "Ternurinha." In the '70s, Demétrius continued to have success as a composer and interpreter, recording hits like "Ei, Meu Pai" and "Nas Voltas Do Mundo." His sertanejo (redneck) compositions were recorded by artists like Ari Toledo, also with success. ~ Alvaro Neder, Rovi