Artist's albums
Side (Live At The Royal Concert Hall / 2022)
2023 · single
Sing (Live At The Royal Concert Hall / 2022)
2023 · single
The Invisible Band (Deluxe Edition)
2021 · album
Killer Queen (Preamble / Remastered 2021)
2021 · single
The Invisible Band Sessions
2021 · single
The Invisible Band Demos
2021 · single
Swing (Remastered 2021)
2021 · single
More Than Us (Original Version)
2021 · single
Nina's Song
2020 · single
10 Songs
2020 · album
Waving at the Window
2020 · EP
All Fall Down
2020 · single
The Only Thing (feat. Susanna Hoffs)
2020 · single
A Ghost
2020 · single
Valentine
2020 · single
Kissing in the Wind
2019 · single
Live At Glastonbury ‘99
2019 · album
Nothing Ever Happens
2016 · single
Everything At Once
2016 · album
Mother
2013 · single
Where You Stand
2013 · album
Moving
2013 · single
Where You Stand
2013 · single
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Biography
At various points along the trajectory, Travis have sold millions of albums (just under three million of The Man Who in the UK alone); they’ve been the subject of an award-winning feature length documentary (Almost Fashionable) and Fran has elicited acclaim from Paul McCartney, Elton John and Graham Nash – songwriters whose ability to divine a timeless melody out of thin air has sustained them through the decades. ’10 Songs’ is an album that holds you in its own emotional microclimate at the outset and keeps you there. It’s also a grown-up record. ’10 Songs’ is a record about the way life comes at love and what love does to weather those challenges. “This is no rehearsal/This is the take,” sings Fran at the beginning of Waving At The Window, over an insistent piano hook, “Promises you once kept/Are going to break Every track on this album carries an even load. No passengers here. Nowhere to hide. “I write songs in an antiquated way,” explains their creator, “Sitting at the bottom of the bed, ‘pouring my simple sorrow to the sound hole and my knee’, as Joni Mitchell put it.” As a songwriter based in L.A., Fran Healy doesn’t need anyone to tell him this is no longer how it’s done. It’s far from uncommon for the credits on successful modern pop songs to feature upwards of ten writers. “It’s fine,” notes Fran, “Personally though, I’ll take ten songs written by one person over one song written by ten people. And if I feel that way, then surely someone else must do too.”