Alabama 3 lyrics
Artist · 312 265 listeners per month
Artist's albums
La Peste
2000 · album
North Korea
2023 · single
Thank You
2023 · single
The Lord Stepped In (Lol Hammond Remix)
2022 · single
Lord Stepped In (Fat White Family Redux)
2022 · single
Step 13
2021 · album
Petronella Says
2021 · single
Yolanda
2021 · single
Whacked (Shameless Remix)
2021 · single
Whacked
2021 · single
Blues
2016 · album
Lost and Found
2015 · single
House Track
2015 · single
Woke Up This Morning
2015 · single
The Wimmin from W.O.M.B.L.E, Vol. 2
2014 · album
The Men from W.O.M.B.L.E
2013 · album
Summer in the City
2012 · EP
Shoplifting 4 Jesus
2011 · album
Jacqueline
2010 · single
Revolver Soul
2010 · album
Monday Don't Mean Anything
2008 · single
Lockdown
2007 · single
Last Train to Mashville Vol. 2
2003 · album
Power in the Blood
2002 · album
Wade Into The Water
2001 · single
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Biography
South London’s beloved roots-futurists Alabama 3, as much as any of us these past couple of years, have been through a trial by ordeal. Like the true people’s champs that they are, they’ve not just survived it, but emerged stronger, and even wiser, with a new album, ‘Step 13’, which refuses to wallow in self-pity. Instead, the war-torn Brixton collective triumph according to their own peerless standards of cross-pollinating experimentation, street polemic and Class-A weirdness. Still adored the world over for 1997’s inaugural smash ‘Woke Up This Morning’, whose marriage of Howlin’ Wolf samples and trip hop beats provided the theme music for long-running HBO series ‘The Sopranos’, Alabama 3 have continued to explore their uniquely British absurdist twist on Americana, riven by post-rave aesthetics, savage socio-political satire and lowlife narcotic misadventure. “I think the album’s rooted in a deep love for community, for the weirdos and misfits on the margins who make life in the city marvellous,” Robb Spragg (Larry Love) summarises. “Beneath the decadence, it’s very much about survival in a pandemic, without recourse to sentimentality, or overdoing it. Dealing with Jake’s death certainly informed the soul of the LP, and maybe in the context of global COVID deaths his dying felt ends up being part of some sort of universal theme. Hopefully, there’s a balance between post-Jake and pre-Jake on the album, and both together creates a future.